Friday, 24 October 2014

Because I can. Because I want to.

Hunger

Hello and welcome to tonight’s episode of How to Eat Your Neighbors.

1: First off, this is going to be a potentially dangerous scene. It is possible that not all of your characters will make it out, though I certainly hope they do. It’s also possible that someone might get one good shot off and kill the antagonist in one round, so we’ll just have to see what happens.

2: I know how frustrating it can be to lose a character because you didn’t fully understand the rules, so I am 100% here for any casting or combat questions you guys might have.

3: If any of the content in this scene makes you uncomfortable, please don’t hesitate to let me know.

4: The more organized and efficient we can be, the smoother this scene will run. On that note, once we establish a posting order please stick to it, and try to make posts and (especially) combat declares and dice rolls within a reasonable time frame.

5: There are actually a couple of different ways this scene can go down, so don’t necessarily go into it thinking you absolutely have to accomplish things one way. Do what your characters would do, and we’ll take it from there.

6: We're going to roll all of our prep dice before we start posting, then I will try to tie up everything in my intro post and get us started at the house.

7: Good luck, and have fun!

Alexander

[Sensing spirits. Coincidental, TN4. Near the node, so down to TN3. Want two successes to last the scene.]

Dice: 1 d10 TN3 (9) ( success x 2 ) [WP]

Lucy

[awareness: are there other mages about other than the devouring one?]

Dice: 5 d10 TN6 (1, 3, 4, 9, 9) ( success x 2 )

Elijah

[Because Mind 1 shielding is awesome]

Dice: 1 d10 TN4 (8) ( success x 2 ) [WP]

Elijah

[Aaaaand extending]

Dice: 1 d10 TN5 (3) ( success x 1 ) [WP]

Elijah

[Aaaaand keeping on extending]

Dice: 1 d10 TN5 (3) ( success x 1 ) [WP]

Lucy

[Mind 1: Shield]

Dice: 2 d10 TN4 (4, 6) ( success x 2 )

Hunger

For some, the day started early. Sera and Ian and Jae-shin met up with Alex and Elijah at the chantry. Maybe the apprentices showed up later, as the sun was starting to sink low in the sky and that sense of liminal electricity hung foreboding in the air. Or maybe they came by earlier to help were they could. To talk. To figure out some semblance of a plan. The other three worked their rituals as the hours passed. Sera was able to provide an advantage in the form of time - speeding up each of them incrementally until the world around them seemed to pass more slowly. Ian quietly took Elijah and Sera aside in order to better shield them from physical threats. The other mages prepared how they could.

And Lucy? What of the Dreamspeaker? She wasn't there with the rest at the Chantry. Instead she left early for the woods around the house. She packed her tools and she found a place to work, and then she called out to the spirits of the dead; of those who'd been murdered by the woman they meant to confront. Souls trapped in the memory of what was done to them.

Now was the time. If they were ever to gain some semblance of justice. Of closure. They must take it for themselves. And so she focused on the threads of fate and prophecy and justice, and she called out. Perhaps she danced, or sang, or prayed. Whatever her methods, she called, and her voice echoed across the landscape of the penumbra. It was an exhausting ritual, and perhaps she feared that it might prove fruitless. She could not compel the spirits to come. All she could do was hope that the message found its way where it needed to go.

And then, finally, they were there. Not just one, but two, three, five... eight. All eight. Jeremy she recognized. The others were less known, but they bore the faces of those who'd gone missing over the summer. And then, one by one, they pushed their way through the gauntlet and materialized on the other side. Their forms were weak and noncorporeal, but they were there. And they were ready to fight.

Back at the Chantry, the others left in their cars and drove quietly to their destination. Ian drove with Jae-shin, while Sera took her van, leaving Dan to wait in the driver's seat. Perhaps Alex and Elijah traveled together, or perhaps they went with Sera or Jae-shin. Either way, they all got there. The vehicles were parked a safe ways down the road. Close enough that they could run to them if need be, but far enough that they'd be out of sight. When the group finally arrived at the property, they'd find a large red house in the middle of a wide grassy field, bordered by pine forest and protected by a tall, wrought iron fence. Ian and Jae-shin scaled the fence, helping Sera over the top, and if the others needed it they'd offer a hand down to help them too.

On the outside, the place looked deceptively calm, with no signs of violence or destruction or any kind of recent activity. Once past the fence, however... it was another story. Something felt different. Like they'd just passed through some kind of barrier. And looking at the house would reveal... an entirely different picture from the one they'd viewed from the road.

Patches of grass were torn up in the yard. Dark patches marked the spots where the grass had been burnt to ash, while others looked more like stains (like blood.) It was difficult to tell exact details in the dark. Sections of the house were charred. Even at a distance the smell of burnt wood was noticeable.

Elijah

Elijah was not an athletic creature. He knew this, wasn't embarrassed about this, the fact that his physical activities tended to lend themselves to more carnal ends was not exactly helping him at that juncture, save to have the occasional thought stay present and consistent in his mind. THere were things to do. There were things to do and people to see and something that they needed to stop.

He should have told Kalen what he was doing. He should have told Kalen a lot of things, but telling Kalen his thought process wasn't exactly high on his To Do list. Elijah took in the general feel of the place, a little cold now that he wasn't shoved up against someone who was a little slice of magical winter. He was too busy thinking of things he wanted to tell Jenn, things he'd wished he'd told her. He could see all sorts of things, except for what was in front of him. Funny how that works.

"Jesus," he muttered, looking at the house. He took a second to look at the people he was with, "so... what are we doing? Are we having, like, a metaphysical intervention? Do we read letters about why cannibalism is bad?"

Oh yeah, he wasn't nervous at all.

Alexander

Alexander had been early to the Chantry, but had been pretty quiet the whole time he’d been there. He knew what was coming, to some degree what they were expecting to happen. Maybe the plan itself needed to be firmed up, but in the end it all came down to one thing: The pack and their leader needed to be stopped. And that’s why he was here. Because of that sense of duty that had put him in the line of fire before and, all going well, would do again. There’s not much to be said.

He spends his time doing what he can to help the others before preparing his gear. The body armour is checked. The pistol taken apart, stripped, cleaned and reassembled. They’re all familiar motions – he keeps his gear well maintained – so perhaps it’s more out of something to occupy his hands and his mind until they were ready to go. He rides with Sera and Dan, leaving the blue bike tucked away in the Chantry’s garage.

They arrive at the house and Alexander offers to boost up anyone who might need a hand before climbing up and over the fence himself. Best hope they don’t need to get away in a hurry, right? Elijah asks what they’re going to do. Makes a joke about dropping off pamphlets. Tries to hide his nerves.

“We do what needs to be done.” The tone is almost normal, but there are tells in his body language for those who know him. He’s nervous too. But he’s had more practice in similar, if more mundane, situations, so is better at hiding it. He unholsters his Glock, checks the clip and the round in the chamber – one of the clips that Kalen had worked his particular brand of magic on earlier - then clicks off the safety.

The others are watching the house, so he looks around where they’re not watching. They don't know how many people are inside, and it's best their little group doesn't get snuck up on.

Lucy

What of Lucy the Dreamspeaker? Her day started earlier, with a soak in the impossible heat of the Node's hot spring to replenish what she could of her strength, her power. One of these days she'll have to ask around if there isn't some other place, some other Node where she can pray to her divine Avatar for strength, some place that doesn't make her feel like she's melting from the inside out. For today, though, Lucy did what needed to be done, dressed, gathered her things, and began her journey on foot to the cloaked area from her visions. It was no easy thing. She carried her large-ish yet plain mirror she used to draw out Sally Starling, and her lantern, and her bag full of other things over her shoulder.

The ritual was long, and arduous, and tasking. Lucy prayed to the dusk handmaiden, the being to whom she is merely a conduit, an oracle, a device. She readied herself and she prepared herself. She lit her lamp and lowered the Gauntlet through her mirror that her voice would carry more easily. The air around her grew gelid, frosted, too cold for such a pleasant autumn day. And in the end all she can do is hope that her voice is heard. Lucy's duty is to guide the dead, not to command. She eases their passage to the other side, doesn't compel them. She wonders if these are things she should do, feels her cheek burn where Dusk touched her so many years ago. Knows there is more to be done, but later. Later.

It seems an eternity before they arrive. While she waits, she lights her incense and bolsters her mind against intrusion. Lucy doesn't recognize most of them, but she knows them. Brian and Melissa and Kevin. Nathan, Denise. Kate and Sean. Jeremy.

She greets them as one would expect the guardian of the dead to greet them. Tired, weary, but straight and strong, chin lifted.

"I promised you justice," she says, then turns away to look over the land. The house is not easily in view, but she knows that it's there. Lifting a long and graceful and too-pale arm she points. "It's there." Looking at the gathered dead, she asks, "Will you take it with your own hands? Will you find your peace? Come." She takes a step back. "I'll help you all that I can."

And she, their Speaker, guides, and she leads, leaving behind the larger mirror. She won't be needing it for what needs to be done next.

As she nears she feels others. Most she doesn't recognize, but two are very familiar. One is cold, frozen, almost like her but not quite. The other is the tumult. The others...strangers, but those two are enough. Lucy's chin lifts, and she picks up speed, until she is running long-limbed and long-gaited to the house.

Hunger

Lucy led her charge to the house, and when she arrived at the edges of the property and sensed the presence of the other mages, she began to run. The ghosts followed, their forms shifting and fluid as smoke. As they moved through the trees, they disappeared and reappeared, blending with the shadows. And then, when they arrived at the fence, they stopped. Ian and Jae-shin looked back at them, and the expression on Ian's face snapped with surprise. The Akashic nodded to the spirits, and to Lucy, as though he understood already what it was they'd come there to do. Jae-shin offered a hand to help Lucy over the fence, should she need it.

Behind him, Sera gave a quiet curse when she saw the state of the property. It was obvious that something had gone down there recently. But what? And who was left standing at the end?

Alexander wasn't able to sense any immediate spiritual activity nearby. At least, not in the yard or the house up ahead. Sera had previously mentioned that the building was Awakened, but now? There was nothing. It felt cold and dormant to his senses. Jae-shin confirmed it.

"I don't sense any spiritual residue in the house."

Sera spoke next. "There are two people inside. Both are injured, and tired. One's still strong though - it must be her? I cannot sense her mind. The other, though. A young man. He's scared to death, exhausted, and in pain." She looked around before continuing. "The worshipers attacked Zoe's coven out here. Maybe they didn't survive the attack. There were three cars, do you see them? Maybe the survivors are looking for another victim. For her rites. I think I can find them both inside."

Ian shook his head. "I don't see any. I can sense the two in the house, too." He glanced at Jae-shin. "Can you tell if there are any corpses nearby?"

Jae-shin closed his eyes and breathed in a couple of deep, measured breaths. Meditating quietly. Whatever he found, it made his expression darken. He looked at Ian. There was a beat of ominous silence.

"There are many. In the basement of the house. Some of them are in pieces."

"How many?"

"Eleven. Twelve."

"...Fuck." Ian's curse was low and whispered.

"There are cars in the garage," Jae-shin answered for Sera.

Ian looked as though he was about to say something, but then he went suddenly still, poised and alert like an animal, his eyes fixed forward on the trees behind the house.

"Something's out there."

When it appeared, it happened very suddenly. People always talk about how bears can move more quickly than you'd think, but when you're actually confronted with it, it's all the more terrifying. The creature (it was a grizzly - and a big one) broke through the trees at a galloping run, making a beeline straight for their group. As it approached, it opened its mouth and roared.

It was not a normal bear. Normal bears did not have spikes of sharp bone sticking out from their hide. They did not have skin sagging from their face like a corpse. And when they roared, their jaws did not unhinge like a snake to reveal a second set of teeth. But all of these things happened. All of these things were there.

"It's possessed!" Jae-shin uttered a quick warning as he drew his sword. "Corrupted."

Wrong. Ravenous and hungry.

Ian pulled his sword. Ahead of them in the house, someone began to scream. The sound was muted and distant, but barely audible. That boy... something was happening to him.

"Fuck." Sera swore again. "She's coming down the steps and there's a boy in the basement who is in danger. If you can get around the bear, then you need to go. Bullets will hurt her Alexander. She's not immune."

Elijah

Under the sight of a normal grizzly bear, Elijah would have tried to play dead and hope that everything he saw on TV worked.

this, however, was not a normal bear. This was not a creature that wasn't really real anymore. This wasn't like anything he had ever seen. Eyes widened, stomach turned and he took his time to hold the handgun and familiarize himself with the fact that he was going to go in and do something that he'd only done in a friend's back yard (keep your hand steady, keep your eyes focused. Breathe and be ready for recoil. Don't look away.) And there comes a moment when people can be afraid, when fear can paralyze you and make you think that it's all over.

But action was better than nothing. He cocked his head towards the house and made his way to the door.

"C'mon, let's go," he wasn't fearless by any means. He was fool hearty, yes, but at that moment his heart was pounding and his breathing was steady and Elijah was very, very aware of how fallible his body was. About how he had to act, and act quickly. Bears and nerves be damned, they had to move.

Alexander

Two people inside – one of them hurt, scared. Most likely another victim, although the pack hadn’t shown any hesitation on turning on one of their own before. Either way, they need help.

Alexander turns to Ian, then to where Ian is looking, when he says Something’s out there. He sees the bear and get’s a feeling of something riding it when Jae-shin gives his warning. He turns and starts to bring his gun up, taking aim at the creature – whatever it had been twisted and turned into – and...

Fuck. He holds the shot, looking to Sera when she curses but still holding the pistol in position. “Ah, fuck!”. He decides. Sera seems to be happy to handle the bear and is outright telling him to go. So the gun comes down and he runs, dashing off at the same time as Elijah. And hoping like hell that the others staying to take care of the bear are a good enough distraction for them to be able to get past.

Lucy

On the outside of the fence Lucy stops because she has to stop. She does not have the ability to slide through solid objects like some Marvel heroine. But she stops up short when she sees the people with Elijah and Alexander. One is unknown, one vaguely familiar, but the third...

Lucy, eyes wide, opens her mouth and immediately snaps it shut. There is no time to ask Ian? No time to wonder at him being here, at him having that otherworldy resonance. She climbs nimbly over the fence, drops lightly on the other side, and trots to catch up.

"Hey," she says, perhaps slowly to their senses as she claps her hand on Elijah's shoulder. She gives it a gentle if not reassuring squeeze before letting go, and she does not interrupt.

There are bodies. Lucy looks to the spirits gathered with her, gauging emotions, reactions. Is it one or more of them? It doesn't matter. If the previous owners of those bones still lurked nearby they would need to wait until later. Lucy is weary, does not presently make a very good vessel for her Avatar's strength, does not have time to try to draw them over to aid in taking their own justice.

And then there is that bear. Lucy, with only a simple boxcutter (and her antique silver scissors, but those she will not use for violence) somewhere inside her bag, is no good against bears. Unless one counts potential toothaches from trying to eat nearly-frozen flesh, of course.

And anyway, their target, the target of the ghosts with her, is within. And there is Elijah, making for the door, and Alexander. Lucy spares only a glance for Ian, a glance that holds the barest hint of wonder, the slightest curve at the corner of her wide mouth. Then she's shaking her head and running after the others.

"She's inside," she says for her charges. "She's near. Almost, you're almost there."

Hunger

It was a split-second decision. That was all the time they really had to make it. Ian and Jae-shin and Sera were at the front. Two of them had drawn swords. One of them was a Disciple. And Ian knew that some of their group were not equipped to deal with something like this. That if that bear got its jaws around Elijah or Lucy they would likely not survive.

Victoria had to know that they were there. She'd probably known all along.

"Come on!" Ian roared, running both toward the bear and away from the group. Meaning to intercept it. To grab its focus. Jae-shin moved with him as though they'd been fighting together for years. Completely in sync. Sera kept further back, preparing an effect to take down the creature from a distance. And while this went on, the others took their chance.

Elijah and Alexander ran for the front door, with Lucy just behind. She was guiding the spirits that had come with them. Leading them on to... what? Hopefully some kind of justice for the horrors that were wrought upon them.

When the mages reached the door, the found it locked. It would, of course, have been too easy if it hadn't. But the spirits? Physical barriers meant little to them, and one by one they passed through the walls into the house, leaving the living beings behind.

Elijah

[please don't miss the door. Dex+firearms? Called shot +2?]

Dice: 3 d10 TN8 (4, 5, 7) ( fail )

Alexander

[Bigger bang. Dex+Firearm. +2 diff]

Dice: 6 d10 TN8 (3, 4, 6, 7, 8, 10) ( success x 2 )

Elijah

He really isn't a martial creature.

He really, really isn't a martial creature. And call it nerves or call it whatever, but one should probably call it what it was and there was a nice bullet sized notch in the door, but nothing else. He winced.

Alexander

Elijah’s shot goes astray, leaving a hole in the body of the door. Alexander takes aim and tries, shredding the lock and opening the way forward. He steps forward, gun raised and watchful for threats. There’s no question now that the woman behind all of this knows that they’re there. So he does what he can to protect the other two.

Lucy

Elijah pulls out a gun and Lucy quickly steps back, clapping her hands over her ears. She's about to lower them when she sees - ah, no, the door only has a fresh notch in it. Alexander takes aim and Lucy watches, brow furrowed. His gun looks like it'll be louder than the other, maybe. The ghosts have left, have gone in to find the one who orchestrated their deaths, there isn't much that she can do on her own. But she isn't about to stay outside with the terrifying bears. Perhaps she can provide moral support?

She waits for the other two to go through first, then makes her way after, pausing just inside the door to step to the side and look around. The woman outside said "she" was coming downstairs. And that there was someone with her, someone wounded and scared. If nothing else, maybe Lucy could get the one hurt out of harm's way.

Hunger

When Alex opened the door, the mages found themselves looking into a dark foyer. All of the lights in the house were off, and no one was there to greet them when they entered. If Victoria was there, she was keeping quiet. Her resonance lingered though. That sense of devouring hunger. It was so very, very strong.

Outside, there were sounds of combat. Of a roaring, huffing beast. And then a sudden surge of crackling, visceral energy followed by a bright flash.

Another scream issued from somewhere on the floor below. It was louder now, easier to distinguish. Up ahead, at the end of the hallway, there were stairs leading both up and down.

Elijah

there was a feeling of devouring hunger. A feeling that couldn't quite be sated that nawed on his consciopusness and he was running on autopilot. IT wasn't a thought of heroism, but rather, a memory of what he was supposed to be doing. A thought that he kmnew he was here for a purpose and he had to move and time was not on his side, so naturally, what Elijah did was steel himself and haul ass down to where the sound of the screaming panic terror pain fuck that sound. He followed down the stairs.

He coudl make smart decisions later. He needed to make quick decisions now.

Alexander

That feeling, so very strong but all around them. All around, so useless for trying to narrow down where Victoria might be. There’s a fleeting thought that it would be something good to know, but he’s focussed. Concentrated. He stalks down the hallway swiftly but warily, gun outstretched. He reaches the stairs, sweeping the pistol up and then down, ready to fire.

This was always as close as he’d gotten to meditation before Kalen had spent time with him, that clearing of the mind from conscious thought. Instinct steps in. And Alexander steps down, towards the screaming.

Lucy

Lucy feels that ravenous, gnawing hunger trying to worm its way into the pit of her stomach. It makes her shiver in a way that cold never will again. There is a thought, a single pondering moment where she wonders where to start looking. She should bear witness to what she's brought with her, after all. She should stand guard, cold and quiet sentinel of the dead.

But a scream from below tears its way through her, raking fingernails down her spine and causing her heart to jump. Then she is jumping, dashing forward, hot (hah) on Elijah's heels. If she can help she must. If it is not someone's time to die then she must do what she can to ensure they aren't taken too soon.

Like Elijah, there is no thought, only action. Only a need to get. to. them.

[let's go percept+alert, though]

Dice: 4 d10 TN6 (2, 4, 7, 9) ( success x 2 )

Hunger

The house was dark, but some ambient moonlight shone in through the windows. Enough that they could see where they were going - at least, until they began to descend the staircase. The steps were made from hardwood, and they creaked slightly beneath Elijah's weight. He was joined by Lucy and Alexander, the latter with his gun drawn and held at the ready.

As the three of them walked down those steps, the light around them grew darker. Until the door ahead of them was only a faint outline in the blackness. This door was heavier even than the first: a solid metal panel with a sturdy deadbolt. The front door had been locked. Would this one be as well?

Whoever chose to open the door, they would find it unlocked. Maybe that was a stroke of luck. Maybe it wasn't.

The first thing that hit them was the smell. Blood. The air in the basement was thick with it. Like they were walking into a slaughterhouse. But the room ahead was pitch black, and the young man? He'd stopped screaming. Now there was only this stark, ominous silence. And that resonance, growing ever stronger. She was here. Victoria. The Devourer. Jormungandr.

Waiting. For them? Likely.

Elijah

There was a smell.

His avatar wasn't screaming at him, he didn't hear dozens of voices telling him what to do. He didn't have anything except silence and a clear head. He reached for his back pocket, taking out his cell phone with the cracked screen and fiddling with it for a moment to get it to the flashlight function. He didn't want to see what was down there. He didn't want to know, but he had to know. he couldn't experience just the good, he needed to see the worst in humanity. She was here, the devourer. The serpent which devoured the world. Elijah inhaled slowly, remembering that calming breath.

"Victoria?" he asks, and his voice is a forced calm, "this is... why? Why all of this."

It just came out. He didn't mean to ask, but he had to ask.

"This isn't okay."

Like anyone would listen to reason.

Alexander

Certain things come with time. Experience is one of them. The experience of blood. Fresh, dried, pooled, splattered. The iron-tinged smell of it as you wash it away. The experience isn’t an unfamiliar one, although perhaps its intensity is more than Alexander had been exposed to before. Perhaps it was a blessing that, for the moment, they weren’t able to see anything. The smell was a warning of what was to come.

Alexander’s mind still flows clear, quiet. Focussed. Some of the Mages had found out what happens when they sneak up on him. This? This is why.

Elijah slows up, the sound of something being slipped out of a pocket. Alexander moves away. The gun stays raised, his back brushing the wall – its presence reassuring that nothing could come at him from behind. He listens, trying to place the other occupants of the room. The man had stopped screaming, but why? Because he couldn’t scream anymore? Alexander stays quiet, all the better to stay unnoticed.

[Sneaksneaksneak - dex/sealth]

Dice: 5 d10 TN6 (1, 1, 2, 5, 7) ( success x 1 )

Lucy

The stairway gets darker and darker, and Lucy pauses, presses against the side of the passage to allow Alexander to pass. They have guns and, she assumes, a decided lack of night vision. She lets them get ahead of her and it's only after she's assumped a place at the rear that she recalls her lantern, hastily stashed into her bag before she climbed the fence. She retrieves it now, which is easy. Finding her lighter takes more time. She's well behind the other two, is just putting her fingers around the cold metal case when the smell hits her. It turns her stomach. Lucy is no stranger to the smell of death. The chill of the grave has seeped through her skin to the marrow of her bones, and she does not always locate the departed without discovering their remains.

But this. This is just so wrong.

By the time Lucy's found her lighter, Elijah's already calling out, the light from his cell phone shining out. Lucy's light is no longer needed, but perhaps she can use it for a different purpose. She opens the door of her lantern, flicks her lighter to life and touches the flame to the wick. Soon enough, light and shadow are dancing on the walls around her and flickering over Alexander's back. As she drops the lighter back into her bag, she thinks it might be best not to go in empty handed. She finds the cold lump of her box cutter - it's too dark to see but it's white with a swan carved and stained black in the handle - shifts it to the pocket of her pants.

She does not follow the others the rest of the way down the stairs. Instead she prays, and she begs a boon of the dusk handmaiden.

Dusk handmaiden, I beg you to lend my voice strength...

[Hey yo ghosts, what you want is down here: Call Spirit, Spirit 2, diff 5-1 (specialty focus) -1 (natural channel), extending once and praying that's enough!]

Dice: 2 d10 TN3 (5, 7) ( success x 2 )

Hunger

Elijah flicked on the flashlight app in his phone, pointing it forward into the room. The cool beam of white light cast an eerie glow in the room, contrasted against stark shadows and pools of murky, indistinct darkness. Jae-shin had said that there were corpses down here, but if so, only one was actually visible. That one was the body of a woman in her thirties, stretched out naked across a long metal table in the center of the room. Her chest split open, with only a gaping hole where the heart should have been. It looked as though some kind of marks had been painted on her body. Elijah and Alexander might recognize them as Enochian sigils, if Kalen had ever shown them such things.

Elijah wanted to know why. It was likely that whatever answer Victoria gave him would do nothing to make the scene before them more palatable.

The rest of the room was currently empty, apart from a set of strong metal cages that lay against the far wall, a collection of edged weapons hanging on a rack to the left, and a heavy door leading off to the right. The floor was dark and slick, polished concrete with grates installed for drainage. There were splattered red stains on the floor and on the walls.

And standing behind that table with the dead woman were two people who were very much alive. One: a young man with medium-dark skin and a soft, faintly beating note of Radiant resonance, barely noticeable amid the thick fog of Victoria's devouring hunger. He was sitting on his knees with his hands behind his back, stock-still with the blade of a small axe pressed against his throat. When Elijah's light came on, he let out a couple of quick, rough, panicked breaths, but did not attempt to speak or scream.

And the person holding that weapon? If any of those present had seen the photo that Kalen had passed along, they'd recognize Victoria's face. She looked different here. Her hair was longer, and hung loose and messy around her face. Her skin looked pallid, with dark shadows beneath her eyes. But that same piercing, hungry look was still there in her eyes. In another reality, if they'd met her under different circumstances, she would have seemed beautiful. And she was beautiful. But in a sharp, cold, brutal fashion. Beautiful the way that a monster could be beautiful.

Her lips were red. There was blood on them.

Above them on the stairs, Lucy lit her lantern, and a warmer, softer glow joined that of Elijah's cell phone. She prayed, calling the spirits back to her, and gradually they appeared at the top of the stairs, but there they hesitated. As though afraid. As though trapped in memory. This time they did not cry out though. This time they did not fall to pieces. Jeremy was stronger here than he had been in the park. Stronger, perhaps, for the presence of the others. But he was still afraid.

Elijah wanted to know why.

"Because I can," Victoria said. "Because I want to."

Alexander stepped around the beam of Elijah's light, moving quietly into the room, but Victoria's eyes tracked to him almost immediately.

"Come any closer, and I'll kill him."

Elijah

[Awarepathy?]

Dice: 7 d10 TN6 (2, 2, 3, 6, 6, 9, 10) ( success x 4 )

Hunger

[Victoria's Manip+Subterfuge]

Dice: 8 d10 TN6 (1, 1, 2, 2, 5, 5, 9, 9, 10, 10) ( success x 4 ) Re-rolls: 2

Elijah

"This is destroying you," he tells her, insists and pleads as though he knows this. As though his understanding what this did to her soul would somehow make things different. he didn't understand. he didn't understand how intoxicatng power was. he didn't understand what it felt like to become powerful. To be stronger, faster. To have a never ending hunger ripping at his insides.

"If you don't stop now, there might not be any coming back from it. Right now, it... things are bad, but you can turn back from this. You can walk away, too."

he couldn't see anything, could read anything, perhaps because of her solid poker face or perhaps... perhaps.

"What do I need to do to make sure everyone walks out of this place alive?"

Alexander

Victoria speaks and Alexander swings around, bringing the pistol to bear on the woman. He heeds her warning, though, and stops moving across the room.

There might have been thoughts. Thoughts of the people – the known people – who had gone missing since June. Brian. Kate. Jeremy. Melissa. Kevin. Nathan. Denise. Sean. He knew their names. He knew what had happened to them now. Them, and the others who hadn’t been reported missing. The others who might never be found. Dead, alone, forgotten.

Thoughts of what had been done to them. Dragged here alive, hurting, in fear for their lives. Tied to that table while Victoria painted them and prepared them and... ripped their hearts out while they were still alive? Would she have had enough humanity left to kill them first?

Thoughts of what Victoria could go on to do. Starting a new pack. Killing more people. Getting stronger and stronger until... She had already fed – the blood on her lips.

Others had seen him unsure and questioning, struggling to deal with what he is and what he should be. Delilah had asked before whether his resonance was anything to do with his personality. He’d said no but, at that time, he hadn’t been floating on instinct. All those thoughts put to one side, his core cold. Frozen. They knew what she was and what she had done.

The frozen heart of the comet is in his voice when he replies. “Ok.” He pulls the trigger.

Lucy

"Here," says Lucy, drawing the spirits of the dead to her like moths to, well to a flame. "She's here."

And then they are here, too. Jeremy and the others. Lucy turns to look up at them, chin lifted, green eyes colorless in the semi-darkness. She holds her lantern aloft, and holds out her hand to them, beckoning.

"Come," she says, voice gentle. She could lie if she wanted to take such a route to compel them. But Lucy is an honest girl, for all that she could lie. She doesn't tell them that Victoria can't hurt them now, that the worst is over. What she says, voice kept low just for them, is,

"It's up to you now. My friends are downstairs, and they can try to hurt her, and maybe they will hurt her. But the debt will still be there. If she has any people left they can and will look for them, and the cycle of violence will just keep going.

"But you can end it. I've found your justice, and it's there," she says, raising her lantern to shine down the stairs. "You can repay her for everything she's taken from you. Your dog," she says, looking to Jeremy. "Your lives. Your futures.

"You just have to go down those stairs. Do in death what you couldn't in life. Set yourselves free."

[manip (persuasive?)+leadership]

Dice: 5 d10 TN6 (1, 2, 2, 6, 9) ( success x 2 )

Lucy

[awareness!]

Dice: 5 d10 TN6 (7, 7, 8, 9, 10) ( success x 5 )

Alexander

[Awareness]

Dice: 4 d10 TN6 (1, 5, 5, 6) ( success x 1 )

Elijah

[Per+awareness]

Dice: 7 d10 TN6 (1, 1, 5, 6, 8, 8, 8, 10, 10) ( success x 6 ) Re-rolls: 2

Hunger

If there's anything worthy of notice here, Alexander doesn't pick up on it. He can sense Victoria's resonance (it would be all-but impossible not to) and the young man's radiant energy. But beyond that? If there are any effects in play here, they're too skillfully cast to be obvious to his senses.

Lucy

[+7]

Dice: 1 d10 TN6 (1) ( fail )

Hunger

[Victoria Init +9]

Dice: 1 d10 TN6 (1) ( fail )

Alexander

+6

Dice: 1 d10 TN6 (5) ( fail )

Hunger

[Paul Init +6]

Dice: 1 d10 TN6 (1) ( fail )

Hunger

[The Ghosts are all going to get the same init - they move as ONE +6]

Dice: 1 d10 TN6 (3) ( fail )

Hunger

[Ian Init +7]

Dice: 1 d10 TN6 (3) ( fail )

Hunger

[Jae-shin +6]

Dice: 1 d10 TN6 (6) ( success x 1 )

Hunger

[Mystery +7]

Dice: 1 d10 TN6 (6) ( success x 1 )

Hunger

[Elijah's Init is, uh, I think +5?]

Dice: 1 d10 TN6 (9) ( success x 1 )

Hunger

And the Order is!

Elijah - 14

Mystery NPC - 13

Jae-shin - 12

Alexander - 11

Victoria - 10

Ian - 10

Ghosts - 9

Lucy - 8

Paul - 7

Hunger

[Paul is going to sit there and try not to get his throat slit. Will default to evasion if an opportunity occurs]

Lucy

[countering victoria's Time effect, hoping for the best!]

Hunger

[Ghosts will close distance to Victoria this turn]

Hunger

[Ian:

1: Close distance to top of stairs

2: Close remaining distance to Victoria]

Hunger

[Victoria:

1: Dodge!

2: Disarm Alexander with throwing axe]

Alexander

[1: Shoot Victoria

2. Dodge Victoria]

Hunger

[Jae-shin does the same thing Ian does]

Hunger

[Mystery NPC breaks in through a window]

Elijah

(try countermagic for time?)

Elijah

[Countermagic?]

Dice: 1 d10 TN8 (1) ( success x 1 ) [WP]

Hunger

[Victoria's Dodge: Dex 5 + Ath 3]

Dice: 8 d10 TN6 (1, 2, 2, 4, 4, 5, 7, 9) ( success x 2 )

Alexander

[Bang! Dex+Firearms]

Dice: 6 d10 TN6 (1, 2, 4, 10, 10, 10) ( success x 3 )

Hunger

[Alex shoots! And the bullet sloooows and hits the floor in front of Victoria]

Alexander

[Dodge? Dex/Ath]

Dice: 6 d10 TN6 (2, 4, 7, 7, 8, 8) ( success x 4 )

Hunger

[Victoria throws her axe with intent to disarm. Dex+Ath +1 diff]

Dice: 8 d10 TN7 (1, 1, 4, 6, 6, 7, 7, 8) ( success x 3 )

Hunger

[aaand she misses]

Hunger

[(it's ok, she has another one)]

Lucy

[counter-Time!]

Dice: 2 d10 TN8 (10, 10) ( success x 3 ) [WP]

Hunger

[Victoria's Time effect fizzles!]

Hunger

[Paul jumps up and starts to run away from Victoria. His hands are still bound behind his back.]

Hunger

[Damage Tally:

Everyone: Full Health!

Order in case anyone needs a reminder:

Elijah - 14

Mystery NPC - 13

Jae-shin - 12

Alexander - 11

Victoria - 10

Ian - 10

Ghosts - 9

Lucy - 8

Paul - 7

Hunger

[Paul is going to try to cut the zip-tie off his hands with one of those weapons on rack by the wall]

Lucy

[Let the fighters do the fighting. Lucy gets her box cutter and stands guard on the stairs. (splitting if necessary)]

Hunger

[Ghosts attack Victoria]

Hunger

[Ian:

1: Katana Victoria

2: Ditto]

Hunger

[Victoria: Rip the Man-Body on Alexander]

Alexander

[1. Shoot Victoria.

2. Shoot Victoria]

Hunger

[Jae-shin: Counter that Forces Shield]

Hunger

[Mystery NPC turns out to be a young Awakened woman of Korean descent. She does NOT have that Ravenous resonance, but instead feels Spectral and Swift. She is going to close distance to the stairs and hope that Lucy lets her past.]

Elijah

[Let's try counter magic for that Rip the Man Body Effect]

Elijah

[arete?]

Dice: 1 d10 TN8 (7) ( success x 1 ) [WP]

Hunger

Zoe (to Lucy): "I'm here to help. Please."

Hunger

[Jae-shin's countermagic]

Dice: 2 d10 TN8 (4, 8) ( success x 2 ) [WP]

Hunger

[Victoria's shield is now at level 1]

Alexander

[Bang? Dex/Firearms]

Dice: 6 d10 TN6 (1, 3, 4, 6, 9, 10) ( success x 3 )

Alexander

[Damage +1

Dice: 6 d10 TN6 (1, 3, 6, 7, 8, 9) ( success x 4 )

Hunger

[Victoria takes 4L]

Hunger

[Make that 4A]

Alexander

[Bang the second]

Dice: 6 d10 TN6 (1, 2, 4, 4, 8, 8) ( success x 2 )

Alexander

[Damage the second]

Dice: 5 d10 TN6 (3, 4, 4, 6, 7) ( success x 2 )

Hunger

[Victoria is at 6A]

Hunger

[Victoria casts her effect. Life 3, vulgar, diff 7 -1 (focus/blood) -1 (practiced) -1 (resonance)]

Dice: 4 d10 TN4 (5, 5, 6, 10) ( success x 4 )

Hunger

[That is 4 -1 (from Elijah) so Alex takes 4L damage]

Hunger

[Ian Dex+Melee]

Dice: 8 d10 TN6 (1, 1, 3, 4, 4, 7, 8, 9, 10) ( success x 4 ) Re-rolls: 1

Hunger

[Damage 5+2]

Dice: 7 d10 TN6 (3, 7, 7, 7, 9, 9, 10) ( success x 6 )

Lucy

[awarepathy: I DON'T KNOW WHO YOU THINK YOU IS]

Dice: 5 d10 TN6 (3, 4, 5, 5, 6) ( success x 1 )

Lucy

Lucy gives a small nod and stands aside before sliding down the wall to sit on the stairs, too mentally exhausted for words.

Hunger

Would things have been different if they'd come earlier? If they'd been the ones to attack first instead of the Hermetics? All those remnants of violence outside... and Jae-shin had said that there were bodies in the basement (probably behind that door.) What exactly had happened here the night before?

Whatever the events, Victoria had survived, but even an Adept could be vulnerable when fighting alone against a large group. And she was tired. Tired and weakened from her efforts the night before. Alexander chose to call her bluff. It was a risk. Miss, and Victoria might very well kill her hostage. And he did not miss, but the bullet somehow refused to reach its target, its forward momentum slowed by a kinetic barrier. But instead of cutting the boy's throat, she chose instead to think pragmatically, and hurled her throwing axe across the room. It was a good throw, and likely would have disarmed Alexander if he hadn't moved, but Alexander's instincts were wired tight. He dodged swiftly out of the way, and the weapon lodged itself in the wall behind him.

Meanwhile, Lucy and Elijah did what they could to tear down the Adept's defenses, and Victoria's hyper-swift movement slowed to a more normal speed. Upstairs, they were re-joined by Ian and Jae-shin, with Sera limping after them. The two men ran through the house and sped past Lucy down the stairs just as the sound of a breaking window announced the presence of an as-yet unknown party.

And what of those spirits? The ghosts of Victoria's victims. They looked down at the room where each of them had been sacrificed. This was the place, Lucy had said. This was the time for them to gain justice. And so? They vanished. But only for a moment. When they reappeared, they surrounded Victoria, watching her with cold, spectral, accusing eyes. Victoria looked at them and snarled a curse in some ancient tongue. Venomous and threatening. But they weren't the most immediate threat, so she focused her Will on Alexander, whose gun contained bullets that might easily rip her pattern to shreds.

She chanted something under her breath - a litany of archaic, powerful words. And she licked the blood on her lips. Then Alexander fired. Once. Twice. And his bullets shattered bones and muscle and sent her blood spraying onto the walls.

But he didn't kill her. Not quite. And when she released her effect, it tore into his pattern and flayed open a couple of searing wounds in his back and chest.

There was an opportunity, and Ian took it. His katana swung in high, brutal arc and separated Victoria's head from her body. The sound it made when it hit the floor was wet and heavy and hard. Her lifeless body followed a moment after, seeping blood in a thick pool around Ian's feet. He was breathing hard. His face and his sword were dripping with Victoria's blood.

She was dead.

But no. Not gone. Where her body fell, another spirit began to rise up, hissing and clawing her way back to the mortal realm as though she could hold herself there by force. That was when the ghosts did what they'd come there to do. Acting as one, they flew forward and attacked, tearing into her Will and her spirit one piece at a time. She fought back hard, and once or twice one of the ghosts flickered as though it might break apart, but somehow their spirits held on to reality. And gradually, Victoria's presence got weaker and weaker. Until finally Jeremy reached his hand into her chest and crushed her heart. And her light... went out.

"Paul?"

That was the girl on the stairs. She moved past Lucy, giving her a nod of thanks, and descended into the basement. When she saw Victoria's body lying on the floor, she gave a hiccuping little gasp, but her attention shifted almost immediately to the young man in the corner, who'd just finished freeing himself from his ties. They looked at each other with shock and relief, and the girl gave a sudden, hysterical sob. Then they rushed to throw their arms around each other.

"I thought you were dead," the girl whispered over and over. "I thought you were dead..."

Elijah

[Stamina: don't puke]

Dice: 2 d10 TN8 (6, 8) ( success x 1 )

Elijah

He's never seen someone die before.

He's never seen someone die, never seen someone decapitated never felt blood everywhere or been so close that he felt like he could taste it and there were ghosts and there was that feeling in the air and oh god oh god oh god this isn't happening. His knees felt like they were going to give out and his stomach turned and Elijah was certain that he was going to revisit his lunch only to be made aware that he hasn't eaten today. Didn't want to eat today, wasn't going to want anything after this.

"We need to bury people," it's all he can think. All that comes to mind, all he can get out. He sounds exhausted and wired.

"We need to bury people and give them their last rites and.. and... yeah..."

He breathed. Breathed deep and tried to keep his head together but he couldn't stop looking at her body and how it didn't have a head and there wasn't a fucking head. And how he wasn't sure if she was going to laeve a wraith or if she was going to move on and he needed to know, he needed to know what was going to happen and he needed to know if her soul was clean and he didn't know and he didn't know if things would be okay-

But things weren't okay yet.

mnemosyne

(Sera will drop her active effects so as not to incur casting penalties. Life 3: Healing Alexander. Difficulty: 7. -1 (focus) -1 (taking time). )

Dice: 3 d10 TN5 (4, 4, 6) ( success x 1 )

mnemosyne

(Okay. Drop the -1 for focus. Actually difficulty of that roll was 6.)

Extending. Difficulty: 6 + 1 (extending). -1 (her last quint).

Dice: 3 d10 TN6 (5, 7, 9) ( success x 2 )

mnemosyne

Extending. Difficulty 7 this time.

Dice: 3 d10 TN7 (2, 7, 9) ( success x 2 )

mnemosyne

(Check that: that last roll was for Paul the NPC.)

Alexander

[WP, because we are so holding our shit together?]

Dice: 5 d10 TN6 (1, 3, 4, 6, 8) ( success x 2 )

mnemosyne

And Extending for Paul, dif 7.

Dice: 3 d10 TN7 (1, 2, 9) ( success x 2 ) [WP]

mnemosyne

Paradox.

Dice: 6 d10 TN6 (1, 2, 5, 6, 8, 10) ( success x 3 )

mnemosyne

Soak.

Dice: 3 d10 TN6 (3, 5, 9) ( success x 1 )

Lucy

There is commotion downstairs. Every shot fired, every grunt, every scrape of a sole on the concrete floor sets Lucy's pulse jumping. It kills her that she can't join her friends, but it's better that she remain where she is. She is a guardian, a sentinel. She is the watcher on the wall (the handmaiden who guards the gateway into the Underworld). She is not a fighter, but perhaps in the small space of the stairway she can at least keep anyone else from going down to join the fray. She would give her life protecting the others that way.

Ian and the others come first, then while she desperately calls upon the power of her Avatar to tear down Victoria's magic. Then the stranger. She says she's there to help and Lucy believes her, stands aside and lets her go and turns her face upward until-

silence falls not long after. Closing her eyes she presses her back to the wall and slides to sit on one of the steps.

She should go, she knows that she should go. She should bear witness to what she's brought to this place, to the justice she led the dead to. She should check on her friends, see who might be injured, see who might need a hug-

Her eyes snap open then. Despite the dull throb of an exhausted headache, Lucy pushes herself up the wall and fairly tumbles down the stairs. In the doorway she pauses, sees the blood, the bodies. Her lips part but no sound comes out. Then she looks at Elijah and her feet are shuffling forward before her gait steadies. One of her hands wraps around his. The other comes to rest against the side of his neck, thumb pressed against the bone of his jaw, her touch cold, her skin leeching the warmth from his. Still, she pulls, tugging him closer, close enough to put an arm around his shoulders and hold him tight.

"I'm here," she whispers. "I'm here."

Alexander

It all starts so quickly. Victoria is threatening them, threatening the man with an axe to his throat. Don’t come close, she says, or he dies. Wasn’t he dead anyway if they didn’t do anything? Dead, with Victoria gaining who knows what from his death. It was a gamble, taking the shot. It was a gamble that it would surprise her before she could do anything to harm the guy. A gamble that she would go down before any of them got hurt. A gamble that almost paid off.

If he was asked to describe the details of the fight later, he’d be pressed to remember. He remembers shooting, three time was it? And he remembers the pain – oh, hell, the pain! – when Victoria tried to tear him apart. And that final moment when Ian ended it, once again, by decapitating her.

That ice that formed around his core, which made him so certain that what he was doing was the right thing to do, start to fade away again. Doubts start to creep through the cracks, but he pulls that shield closer, tighter, for a little while longer. Long enough to see the spirits of the victims tear what remained of Victoria apart. Long enough to see Zoe and Paul reunited. Long enough. Just a little while longer.

He nods when Elijah says people need to be buried. They do need an ending, the living as well as the dead. He’d offer more, but there’s not much left to offer right now. He carefully, deliberately, puts the safety back on his pistol and holsters the weapon.

mnemosyne

Serafíne is at the top of the stairs and she can taste the magic in the air, feel it harsh in the back of her throat, feel the way the world wants to snap back against the effect that Victoria works to blast Alexander, feel the strange and strangely glorious mingling of resonance in desperate countermagick to the Adept's effects. She does not rush into the fray, the way Ian and Jae-Shin do. There's very little will left in her body and she already sports the beginnings of a mild concussion, the raccoon eyes, the stiff neck.

When it is over - and it is over with surprising quickness - she does shuffle down the stairs, a careful hand on the bannister, searching out Alexander, whose wounds she can see, and Paul, whose injuries she felt from afar. She reaches first for Alexander, both arms opening as she wants to pull him close and she's smiling at him and there is a sheen to her eyes and her pupils are too-large, even in the darkened basement and she is trying to urge him to calm, to call to his spirit and his body to heal and heal itself, to transcend his skin and transmute his injuries and remind his body of what it means to be whole -

but he stiffens and she reads that resistance, the need to brace himself and there's a moment between where she is already working through her focus and finding her skin electric with and by and for magic, except, except, except, an abrupt cessation, a change that feels strictured and artificial and she's exhausted but she pulls herself back into her body and leaves it by other means. This takes longer. She wants to tell him to be still but the world is absolutely changed around her and she has given herself over to this instense hallucination wear she sews all the wounds in his body closed with this thread of living sinew she pulls from herself: mind and will and body.

No one else sees anything, really. They just feel her magic in the air, and see her, perhaps, moving her hands, reacting to things that no one else can see.

--

The same thing happens with Paul, though perhaps she does not even try to touch him. She could taste his fear and his pain and his exhaustion. So.

--

Afterwards, Sera climbs a few steps and sinks down to wait while they work out what must be done. She cannot really keep her eyes open and kinda dozes and cannot walk fast right now but is perfectly compliant, minutes or hours later, when someone thinks to reach for her elbow and help her up and tell her it is time to go.

Hunger

It was a horrible skill to have: the ability to decapitate someone. If someone had asked Ian as a child if he'd thought it was something he'd need to learn, he'd probably have been horrified by the question. And up until the other night he hadn't been involved in any of this. He hadn't seen or spoken with the ghosts of the departed. He hadn't run into anyone whose resonance itched with ravenous hunger. He'd heard the messages on Ginger, so it hadn't exactly been a surprise when Elijah had called to ask for help. And for whatever it was worth, he understood the threat enough to know that this wasn't the kind of thing one said no to. Not when he was capable of helping.

It shouldn't have been him, though. Shouldn't have been him that killed her. But he was there, and she was standing front of him, and even with two bullets in her she could have killed any one them. She did try to kill Alexander, and given another few seconds she very might have succeeded.

He should have let Alexander shoot her again. Later, he will think about this. Later he will think about the fact that he didn't hesitate to murder someone - not a monster, not a walking corpse, not a body infested with a corrupted spirit. An actual fucking human being. He will think about it, and he will wish he'd let the cop finish her off. But right then? All he could do was stare at the body on the floor and the blood dripping off of his sword, reliving the images of those ghosts ripping her soul apart. There was a slight tremor in his hand. Jae-shin noticed, and the Akashic put his hand on the blunt side of Ian's weapon and pushed it gently down. As though to remind him that the fight was over. Ian glanced at him and wiped some of the blood from his face.

"We should check that room."

Jae-shin nodded, and the two walked over to check the door that led into the other part of the basement.

And what of those ghosts? Did they disappear once they'd exacted their revenge?

Not exactly. But they didn't stay in the basement. Instead they turned and looked at Lucy, and each of them gave her a slow nod before flickering out of sight. They stayed close though.

Sera worked her healing will on Alex and Paul, and gradually their wounds mended. She paid a price for her sacrifice, as was often the case with healers, but given time, she too would heal. They had all survived the encounter. That alone was something to be thankful for. Zoe looked at Sera with a grateful expression and thanked her again for everything she'd done. Zoe, who was supposed to have been in San Diego, but who had turned around and flown back only a few days later. Because she couldn't let it go. She couldn't walk away without seeing what happened. Even if it killed her.

And now she was reunited with her friend. Her brother. Her cabal-mate. Someone she'd thought long gone. The two of them held each other while Sera healed his wounds, silent and so very grateful to be together.

The others comforted each other the best they could. But when Zoe and Paul saw the bodies in the meat locker (saw the frozen faces of their brothers and sisters) their grief and their tears returned. There were other bodies there as well. The woman on the table in the other room. And more... likely the Hermetics who'd attacked the day before. Some of them were cut into pieces. Some of the pieces were missing.

Ian and Jae-shin helped with whatever clean up needed to be done. Locating Alexander's bullets. Making sure that none of them left behind any remnants of their presence there. It took a long time to clean up Victoria's body and wash the blood down the drains. Someone would have to dispose of her corpse, and Jae-shin, who drove a flatbed truck and had likely burned more than a few bodies in his life, volunteered to take her with him.

By the time they left the house, the sun was rising. And the ghosts of Jeremy Tran and the other victims were standing in the grass, watching the light grow steadily brighter on the horizon. As the sun came up, their bodies seemed to glow, and Jeremy hummed something soft and quiet. The same song he'd been humming to himself on the night when Lucy and Elijah had met him. Then, as the sun rose higher, they vanished.

It felt like an ending. Or a new beginning.

Wednesday, 22 October 2014

You want to know about the wolves and the dragon.

Alexander

A couple of days have passed since the body of a young man was dumped in an alleyway by the Hill-top Tavern, found by the owner. Alexander had ended up at the scene, called in in the line of duty to help secure it while the DPD detectives and crime lab techs worked through and identified, tagged, logged, secured and analysed what evidence they could find. So far, not much of interest or use had been found, though. The tyre mark he’d found was left by an SUV, but the body was still unidentified as far as the PD was concerned. Nobody had noticed the guy missing yet.

In the chaos of random chance and happenstance, Alexander had bumped into Delilah a day or two ago. The trail of the conversation had wandered, but had finally touched on two sets of recent events – separate, but linked. Delilah told of Lucy and Elijah’s encounter with a ghost, a victim of the cannibals in the city. Alexander had told her about the spirit he’d encountered, one of the cannibals who had been torn apart by his pack for his weakness. They had talked and today’s meeting had been suggested – that Alexander and Lucy come here to try to find the spirit again, to see what else they could learn from it.

Which brings them to this place, at this moment. A motorbike pulls off the I-70 and makes its way along Lowell, passing the tavern. It slows a little as it passes the tavern, the driver seemingly taking a particular interest in who, or what, could be around. The scene, scoured for anything of potential interest, had been cleared. Loose bits of yellow tape hung here and there.

The bike swings across the road a little further on and returns, pulling just into the alleyway. The engine stops and the driver pulls off his helmet, revealing Alexander. He waits until the person sat behind him gets off before swinging his leg over the bike and getting off too.

Lucy

When most people see Lucy it's not hard to imagine her pressed up intimately on the back of a motorcycle. She is long-limbed and fine-boned, fit, graceful and nimble, and oh so easy on the eyes. Then she touches them, and all thoughts of intimacy freeze up in a sudden cold snap. This girl with her long dusk-red hair is frost-ridden, cold from the inside out. Alexander surely feels the chill seeping through his clothes - Lucy is wearing a black tank top with a sugar skull embroidered in white, and very short shorts over a pair of netted hose as well as her knee-high black boots, that doesn't leave too many layers of protection for him.

But it is what must be done if they want to get to the bar quickly and anywhere close to the same time. So he feels the cold of her legs against his, her arms wrapped lightly around his waist to keep her in place. If he had a spare helmet then Lucy removes that after she dismounts, and if he didn't, well. Death comes to all eventually, including gatekeepers of the underworld and speakers for the dead. Lucy is a great believer of Fate. If she were to die tonight her only regret would be that she couldn't fulfill her promise to Kalen.

She looks better than she did around the time of events in the park. Always corpse-pale, that night Lucy was grey and ash. Sunset over a cold harsh fog. Now she just looks like herself, although a bit more serious than last time Alexander would've seen her.

And now they're here, thanks to their mutual connection suggesting that they work together. Lucy adjusts her bag, which she managed to hook over her head, the extra-lumpy pouch jammed under her armpit. Inside are her tools, the things she'll need to make contact with the deceased. Where Alexander looks around for potential onlookers or dangers, Lucy looks for a likely place to set herself and her stuff down. She'd already handed him a slip of paper (one of her "business" cards (sans lipstick stain)) with a license plate number handwritten in black ink, something she hadn't known what to do with until she remembered Alexander's line of work. Now it's time to investigate in another way.

Hunger

It was early enough in the evening that the Hill-top Tavern wasn't yet bustling with the late-night crowd, but there was still a healthy number of people inside the old building. This place was a favorite neighborhood haunt, popular with an eclectic crowd of college students, young professionals and seasoned drinkers. Even news of the recent crime hadn't done much to slow business, though there were now signs posted both outside and inside the tavern warning customers to stay safe.

It was growing dark when Lucy and Alexander drove up on Alexander's motorcycle. The sky was a wash of dark blue, but someone had recently replaced the bulb on a light fixture that looked down over the alley, so the two mages would find their path well-lit with a bright sulfurous glow. The trash and broken glass that Alex had found that morning had since been swept up, leaving the ground clear of debris. There were dark stains on the pavement where Oliver's body had lain, but they were faded. Two dumpsters stood against the outside wall of the tavern, but otherwise the alley was empty. Someone was playing a Bon Jovi song on the juke box inside. For the moment, there didn't appear to be any immediate witnesses near the alley, though people did come and go through the bar's front entrance periodically.

Alexander

There’s no other way of saying it; Lucy feels cold. But it’s not something that she can help, any more than any of them can alter what they are. She simply is. And Alexander doesn’t exactly draw warmth into a room when he enters these days. He’s spent enough time out of the house to be used to the cold, though, and it doesn’t overly bother him. So after she dismounts, he does the same and sets both of their helmets on the saddle. Alexander here is no believer in fate but is a believer in plastic’s and expanded foam’s ability to cushion an impact, so he had his spare helmet stashed away in a backpack for her. The backpack is now slung on his front, rather emptier than it started. It had a couple of tools left in it, though; a bottle of water and a cheap fold-up mirror.

He glances at the opening to the alley, checking for anyone paying them much attention, before walking further in and back towards the dumpsters. The light is slightly concerning, but they’re not doing anything strictly illegal. Nothing that would be found in statutes, at least. But the owner of the bar may be buying a new light bulb if they decide that they need a little more privacy.

He nods first at the dark patch on the ground and then at the dumpsters. “His body was found there, and I found his spirit up there. He vanished like smoke, though. Do you think you’ll be able to bring him back?”

Lucy

"I don't know," she says frankly, relying on him to guard this little patch of darkness. The dark stains on the ground do not bother her any more than the dead bother her. Death is a part of life, after all, a part of the cycle. They all have their part to play before that cycle shifts and winter comes.

"I don't usually call anyone to me." She tells him this as she withdraws an antique silver lantern from her bag. It feels like her, like the gelicide of oncoming winter, like threads woven and weaving together. The brushed silver even looks a little frosted over. Holding this in one hand, she digs in her bag to find her lighter. When she has it, she opens the door of her lantern. "Fate guides me to where I need to be."

As she flicks her lighter to life and lights the wick within she prays, hopes that Fate has done just that.

Dusk handmaiden, if he be here, reveal to me the one who died here. Show me Oliver.

She holds her lantern up, its light casting flickering shadows through the wings and graceful arching necks of a multitude of swans.

[Spirit 1: Spirit Sight/Sensing, coincidental + specialty focus]

Dice: 2 d10 TN3 (2, 8) ( success x 1 )

Lucy

[per ST Gauntlet is 6, -1 (specialty focus) -1 (natural channel) +1 = 5 for the extension]

Dice: 2 d10 TN5 (4, 10) ( success x 1 )

Lucy

[and again! +WP]

Dice: 2 d10 TN5 (4, 6) ( success x 1 )

Alexander

[Spirit sight. DIff 6 for the gauntlet, -1 for practiced, -1 for taking time, WP just because.]

Dice: 1 d10 TN4 (10) ( success x 2 ) [WP]

Alexander

[Extending, +1 diff, spending all the WP!]

Dice: 1 d10 TN5 (1) ( success x 1 ) [WP]

Alexander

[Extending again. What do we need WP for anyway?]

Dice: 1 d10 TN5 (10) ( success x 2 ) [WP]

Hunger

By the time the umbral reflection came into clear focus for Lucy and Alexander, the sky above them had gone from dusk to night. Lucy's lantern lit a path through the silvered urban landscape, and the two of them found themselves staring, once again, at an empty alleyway.

Wherever Oliver's spirit was, he wasn't there waiting for them. Had he moved on to some other realm? Or did he yet haunt this place?

There was only one way to find out.

Alexander

Alexander pushes and pushes and pushes and, when he finally pushes his vision through to see the reflected world that spirits inhabit, has broken out in a sweat. He sags against one of the dumpsters, partly from the force of will and partly from the disappointment that Oliver wasn’t still here. He wasn’t really expecting him to be after the way the spirit has dissipated like smoke on the breeze, but it would have been nice if it had been that simple.

“He’s not here. What do we do now?” We, because Alexander is here because he wants to stop the cannibals as much as any of them do. We, because he’s going to help. If he can.

Lucy

Where Alexander pushes, Lucy waits. The divine entity that she serves can be difficult, demands much of her oracle. Lucy waits for clarity and vision to come until, finally (and as she always must to prove her worthiness) she lifts her chin, breathes in deep, and tries to see. Tries to imagine herself a proper vessel for the power, the magic.

When it comes, there is nothing. The alley is as it is which is as it has been since they arrived. Her bright green eyes scan the alley, anyway, before moving to Alexander leaned against a dumpster. She offers him a warm smile.

"You take a breath," she says not unkindly. "I'm going to try to call out to him."

Turning her head away, her attention away, the Dreamspeaker takes a step forward and, body held poised, graceful, expectant, she lifts her chin and asks another boon.

...lend me your voice...

"Oy! Oliver? Are you there?"

[or she will shout provided she gets the successes! Spirit 2: Call Spirit, Diff 6 -1 (specialty focus) -1 (natural channel) +WP]

Dice: 2 d10 TN4 (9, 10) ( success x 3 ) [WP]

Hunger

Lucy's voice echoed out across the penumbra, and for a while... there was nothing. No movement. No sound. Just the spectral reflection of the alley and the tavern beside them. Then a light breeze shifted past Lucy and Alexander, its cold touch lingering on their skin like winter's kiss. To anyone else it might have felt uncomfortable, but to these two? Lucy and Alexander were already children of frost.

A scattering of leaves shifted about their feet. Then, quite suddenly, behind Lucy came a voice.

"Your hair looks like blood."

If Lucy and Alexander turned toward the voice, they'd find themselves looking at a pale, lanky young man with wild, curly hair and bright blue eyes. Alexander would recognize him as Oliver, though the scars of his wounds were gone once more and he seemed to be speaking normally. (No blood dripping from his mouth.) The ghost smiled, seemingly friendly. But there was something off about it. Cold. Sharp.

(Hungry.)

He felt ravenous.

Lucy

[WP doo de doo]

Dice: 6 d10 TN6 (1, 1, 1, 2, 5, 8) ( success x 1 )

Alexander

“Oliver.” Alexander does turn, recognising the voice. He glances down the alley, towards where his bike was parked and where random people could appear from. At the moment, there’s no need to conceal the conversation from others – not like the last time. That doesn’t mean they’re safe from anybody deciding to use the alley as a shortcut, though.

He nods, commenting to Lucy. “This is Oliver, the one I was telling you about.” Then, to Oliver, “You’re looking a little healthier than the last time you were here.” Because he can be civil. Because pissing somebody off – even if they’re dead – doesn’t seem like the best way to get information out of them. You can always piss them off later.

He has one question, for those left behind. “What’s your last name? I’d like to let your family know that you’re not coming home.” He leaves the questions there, at least for the moment. Lucy knows more about spirits than he does, so he does what he can to keep watch for anyone – anything – trying to creep up on them.

Lucy

Lucy startles and twists around, the movement quick and fluid. The lantern in her hand swings wildly as the young woman frowns at him.

It would be a lie to say that she's not nervous, that this man does not frighten her. She doesn't recognize him, not by sight at least. She recognizes that feeling, that sense of gnawing, aching, ravenous hunger that settles deep in the pit of her stomach.

She swallows hard against a cold tremor of disgust, revulsion. Fear. He's one of them and Lucy has witnessed what they're capable of. Seeing him there, feeling that hunger, it threatens to bring the images of vision back into her mind's eye.

But Lucy would not have been chosen for her role in life if she could not be strong in the face of her fear. Adjusting the grip of her lantern, she lifts her chin, one foot sliding across the pavement to rest near to its mate.

"Hello, Oliver," she says. "My name's Lucy. We're here to help you, but we need your help, too. We have questions only you can answer."

Hunger

Oliver rolled his lower lip into his mouth and grinned. There were gaps between his teeth, and the expression made him look alarmingly child-like. It was hard to imagine why he might have been targeted for recruitment. Perhaps it was less about size and strength and more about cunning.

When Alexander asked for Oliver's last name, the ghost's smile faded, and he stopped biting his lip. "Fuck them. I don't have a family." Maybe that was true, or maybe he just wanted it to be. Oliver ran a hand through his hair and tugged at a curl, watching Lucy now. His attention on her felt curious and hungry all at once.

"You want to know about the wolves and the dragon."

Alexander

Alexander may be less nervous about this whole encounter than Lucy, but then isn’t there a saying about ignorance being bliss? While he’s seen the aftermath of the pack’s work – the body of Oliver lying in this alley – he didn’t see it take place. The sensation of ravenous hunger is just like their own, different resonances. It isn’t something to be feared in itself. Besides, the guy’s dead.

His attention swings back to Oliver when he denies having a family, and he just watches the spirit for a few moments. He nods. If Oliver isn’t going to answer, he has no way of forcing him. “Let me know if you change your mind.”

He nods again when he states why Alexander and Lucy are here. “I guess that the woman you told me about last time is the dragon, then?”

Lucy

Lucy nods, yes, they want to know about the wolves and the dragon. The wolves would be the other young men. The dragon...that must be their leader? Oliver and the others, they don't and din't seem to be afraid. They didn't behave as though they had been coerced or forced into doing the things that they have done. Lucy suppresses a shudder.

It surprises her to hear that the leader is a woman, not because she is a woman, but because she didn't see any women among those who took Jeremy Tran and killed his dog.

"My sister said this is old magic. It's a ritual that made you what you are, isn't it? What can you tell us about it? Why and how were you and the others chosen? How many are left, and are they all guys?"

Hunger

"She's Jörmungandr."

The word had an old sound to it, deep and resonant. Oliver cocked his head and looked from Alexander to Lucy.

"It's the oldest magic. Kill or be killed. Eat, and survive. That's Darwinism. You think because we live in this supposed civilized society, we're any different? Her magic didn't make us what we are. She just opened the path. Showed us what we could be. We hunt, we kill, and she prepares the food.

"She chose us because we were hungry. And because we were strong enough to do what had to be done. Not everyone can stomach blood, you know. I couldn't, at first. But I like it now."

Oliver brows drew together and he stopped talking. As though something about what Lucy had said gave him pause. He seemed confused for a moment, then his attitude became more hostile.

"Why do you want to know how many of us are men? I don't fucking know how many are left. Go find out for yourself."

Alexander

She’s Jörmungandr. The name means nothing to Alexander. It sounds European – the pronunciation of the ö – but beyond that it’s nothing he’s familiar with. He glances at Lucy, to see if there’s any recognition in her face.

Oliver is becoming more the man – the spirit – that he was the last time Alexander saw him here. He can’t help but wonder how long it will be before he starts to show his wounds again. He’s reciting much of the same rhetoric that he’d come up with last time around, but this time Alexander speaks up. Angry, for what Oliver had done and what the others were still doing.

“It’s not that simple, not any more. Once, maybe, it was kill or be killed. But how about having the strength to stand up to those who would take advantage of others? Kill others? Feed on others? You talk about being strong, but you are – were – just doing her work for her. Because you were too weak to face up to her? You kill and take her the dead, and then what? She tosses you the scraps?”

Apparently it’s later and he isn’t so worried about pissing Oliver off.

Lucy

[int+occult]

Dice: 4 d10 TN6 (4, 4, 5, 10) ( success x 1 )

Lucy

The name does strike a chord with Lucy, of course it was. She is a child of myth, oracle of a forgotten deity of the Greek pantheon. Lucy doesn't have a mind for study, doesn't like to read for pleasure unless it's tales and stories and book after book about mythology.

She has heard about Jörmungandr. With a glance to Alexander, she says, "The Midgard serpent. According to Norse mythology it encircles the world, and when it lets go the world will end. An ouroboros, the serpent that eats its own tail, constantly recreating itself." This is said thoughtfully as the young woman scrapes her brain for the information. She is clever, is Lucy, but cleverness and intelligence don't always go hand in hand.

Then there is agitation. Alexander and his frustrations and Oliver and his...his what? His discomfort? Did Lucy's question hit too close to a mark?

She looks at Alexander and she says, her voice soothing, "Easy." To Oliver she lifts her hand to him, palm flat toward him. "Easy." The longer they talk the more Lucy relaxes. Whatever Oliver did in life, that's in the past. He's dead now, a ghost, wandering lost and trapped. That means he falls under her purview and she was chosen for this sort of thing. "I'm sorry, I didn't mean to upset you. She picked you because you're strong and you are strong. Strong enough that you're still holding on to this world. That's very strong, that's very impressive. I need you to stay strong for me, Oliver, and right now that means I need you to stay calm."

Someday, maybe soon, Lucy will tell Alexander about angry and hostile spirits, poltergeists, and so on. For the moment all she can do is lead by example, head held high, posture as perfectly poised as ever but shot through with strength and determination.

"What is her name? Where can we find the others?"

[manip (persuasive)+leadership on dat ghost]

Dice: 5 d10 TN6 (1, 2, 2, 5, 7, 10, 10) ( success x 3 ) Re-rolls: 2

Hunger

Alexander couldn't stomach Oliver's rhetoric anymore, and who could blame him? It was all the more disturbing coming from a murderer. Someone who ate the flesh of his victims like they were cattle. Jeremy Tran had been strong in ways that Oliver would never be. But sometimes the world was not fair. Sometimes people died, not because they were weak, but because the odds were stacked against them.

Oliver pulled back his lips in a silent snarl as he stepped closer to Alexander, and for a moment his form seemed to grow more solid. "I'll kill you! I'll kill you and I'll eat your fucking heart! You don't know me. You don't know us. You don't know what the fuck you're talking about!"

That he was agitated was more than evident. Angry, yes, but more than that. Defensive. Blood started to drip down from the corner of his mouth, but Oliver stopped advancing when Lucy held up her hand. He stopped and he looked at her, and for a long moment he seemed torn. But gradually her words seemed to pacify him. She'd picked the right tactic. There was a reason why Lucy was good at what she did.

"I'll tell you, but if you try to find her, she will eat you. There's a house in Morrison, off Jurassic Road. They all live there. Victoria, Brandon and the rest. You think you're stronger than them? Good luck."

Then he gave this mad little laugh. High-pitched and hyena-like. And he turned and ran down the alley until he disappeared.

Alexander

Oliver takes his step forward and... Alexander steps back. He should have known, should have remembered, that spirits can cross over the Gauntlet as much as they could pass over into their world. Interact with their world. He starts to wonder if he let his anger get away from him, that he’s pushed Oliver too far, as he drops into a defensive stance. Waiting for the attack.

But then Lucy steps in and the threat – the immediate threat, anyway – lessens. Both men – alive and dead – listen to the woman who helps those who have died across the barrier, into their new world. Alexander stands watching, ready in case things change again. Ready to put himself between Oliver and Lucy. Only before that can happen, Oliver is running away again.

Alexander releases a breath he hadn’t realised that he was holding, leaning back against the dumpster again. Still looking along the alley, where Oliver had disappeared, he says, “Sorry.” He apologises for almost wrecking what they had come here to do. But he’s still angry. Angry at Oliver. Angry at the others. Angry at himself for not knowing more, and angry for feeling so damned useless.

“I’ll let the others know what he said. They’re figuring out what to do.”

Alexander

[And because it's early now and I'm being all ambiguous, that first bit should be more along the lines of "as much as the living could pass over into the spirit world"]

Lucy

Lucy nods to Oliver. If they try to find her she'll eat them, yes, that is probably true. But they are more than just the two of them. Lucy doesn't know exactly how many of Denver's oracles are mobilizing to confront this threat, but she knows that they are. They have to be.

And then she shakes her head sadly. Before she can respond to his wish for luck, he lets out that laugh and is off and running. Lucy just watches him go, knowing full well she's not strong enough yet for her Avatar to work through her and bring him back. Someday, though. Maybe.

Sighing, she lifts her lantern, opens the little door, and blows out the flame. Only the light of the lamp remains, casting the world in harsh and unnatural shades of yellow, defining the shadows more than it dispels them.

Alexander apologizes and Lucy offers him a small but genuine smile. Coming closer, lantern hanging limp at her side, she puts her other hand on his shoulder. "It's okay. It's a hard thing we do. Dealing with the dead is a lot like dealing with cats. You never know when you'll find a lost housecat or an angry feral monster, but they're still just cats. They usually respond to kindness, or if not that, some kind of treat at least."

When he says that he'll let the others know Lucy looks...well she looks relieved, to be honest. "Oh? Good." Good good good. No one (well maybe not no one) will find their phones spammed with poorly spelled warnings. "There are a few different possibilities with the Norse stuff, I think. Either she wants to break the world, or she's trying to remake herself into something else. Maybe only a Thor can defeat her, or who knows," she continues with a shrug, and now she reaches for his elbow, to tug on it, maybe guide him into the bar for a much needed beer (or something stronger). "Maybe it didn't mean anything at all. The possibly all-male following is interesting. C'mon, we can talk about it over food, you look like you need it, and I know I do."

Alexander

He snorts, and would possibly be amused if he wasn’t still steaming. Lucy places her hand on his shoulder and he... doesn’t pull away or intercept her hand. He does look her in the eye and nod.

Lucy suggests food, beer, talk. He nods again. “Not here, though. I just want to get away from here, and maybe shower. Several times.” So they will find food – probably something full of sugar, fat, and insanely bad for them – but no beer. At least, no beer for Alexander. He is driving after all, and he is what he is.

All the stars explode tonight

Sid

Ogden Street South, located just a handful of blocks north of Wash Park, is not the best bar in Denver, but the regulars enjoy it.  Drinks are cheap and flow like rivers into pitchers to be shared at tables surrounded by patrons both seated and standing.  Most days of the week the small bar is packed depending on what sports event is being flashed across flat-panel monitors mounted high up on the walls.  Friday and Saturday nights are a different story.

On Friday and Saturday the small raised dais in the corner finds itself used at last.  People of all ages (over 21, of course, unless their fake ID has been particularly well made) and varying levels of inebriation grab up a mic and draw all eyes in the room as they attempt to drunkenly belt eternally popular CCR and Poison and Queen songs.  Karaoke nights are the bar's main draw.

Sid said that she would be there late and she meant late.  Sometime around 11:30 she sends Alex a text:  Be there soon.  It's nearing midnight when the tall redhead pushes her way through the crowd and to the bar, bringing with her an odd sensation of oncoming spring.  As she goes, she keeps herself lifted to the balls of her feet, chin lifted and neck craning for any sign of a man she hasn't seen since winter.  She is dressed in a fitted light purple t-shirt with the Star Wars logo emblazoned across her chest and tight fitting, dark-washed jeans tucked into a pair of knee-high black boots.  A grey messenger bag hangs from her shoulder, the pouch nearly flat against her hip.


Alexander

Friday night at the karaoke bar.  It wouldn’t rate particularly highly up Alexander’s list of Things To Be Doing, but it could be worse.  Depending on who was singing at the time, anyway.  Alex hadn’t had any trouble getting in.  It’s been a while since he’d passed for under 21, and the stubble tended to add a few years on as well.  He’d arrived... not early, but not as late as Sid does.

For maybe an hour and a half he’d sat at the bar, nursing his fourth bottle of whichever bottled beer the man behind the bar had fished out of the glass-fronted fridge.  He’d been approached a couple of times, asked “Are you alone?” and “Want some company?”  He’d spent a little time chatting with each of them, until each of them worked out that Alex wasn’t interested in anything more than the conversation and drifted back into the crowd.

He was just getting to the point of giving up on the evening when his phone buzzed in his pocket.  He read the message then waved at the barman again.  It wouldn’t hurt to wait a little longer, and the couple on stage weren’t doing a bad job of Bat Out Of Hell.

So there he is: leaning back against the bar with his elbows resting on it.  A mostly full bottle of beer is held in his hand, and he’s watching the small stage.  A red shirt left unbuttoned and with the sleeves rolled up, mostly covers a black vest top.  Black combats hang over a pair of comfortable black boots.  His own resonance, somewhat weaker than Sid’s, is of a moment caught in time more than caught in ice.  That ice has thawed, at least for now.  Maybe those random meetings of gazes last a little longer than they would otherwise, with the potential to become more meaningful.


Sid

Unless he seems restless or agitated at having been made to wait so long, Sid has no idea how long he's been there waiting for her.  She offers him a slight nod of greeting, chin lowering before lifting again at an angle.  There is something almost animal about the movement of her head, the way she cranes it, the way she takes in her surroundings, dark-eyes wary and alert.  Like her long red hair, twisted into a loose knot at her nape, should give way to a shaggy red coat of fur.  Like there should be a rack of antlers stretching out above her head, branching as far and wide as any tree.  Like she belongs loose and free in an ancient forest lost to the sands of time.

Then she is there, leaning against the bar next to him, and she is just a woman, tall and too-thin, radiating warmth and life.  The scents of cigarette smoke and cool night air mingle together on her clothing, skin, and hair.  "Hey," she greets, now that she's close enough to be heard above the din.

The man behind the counter greets her like he recognizes her, and with the kind of smile bar owners hope all their servers wear: disarming and charming, the kind of smile that melts hearts and encourages just one more drink.  "Are you going up tonight?" he asks.  Sid looks back over her shoulder at the stage, then at Alex, then back to the bartender.  Shrugging, she orders a bottle of beer before turning her back to the bar and taking a lean beside the one who feels a bit frozen.  Static.

"How are you?" she asks, looking him over like she's looking for an open wound or a foreign object protruding from his shoulder.  Not so much checking him out as she is assessing.


Alexander

There’s no agitation showing when he raises a hand in greeting as she approaches and he turns to look towards the movement.  No snark in his voice as he returns the, “Hey!”  No clipped statement about her being late or asking where she’d been because, basically, she’d said “late” and it really wasn’t any of his business what she’d been up to.  The only reason that he’d started thinking of heading on was that she might have changed her mind about coming out and forgotten to say.  No big deal.  So he smiles along with the wave.

“I’m... alright!  At the moment, anyway.  Things change, you know?”  He’s sure she does – she’s been at this for how much longer than he has..?  He runs an eye over Sid, assessing her for himself.  Trying to compare the figure leaning on the bar against the woman he’d met all those... god, it must be months ago now!  Too long ago to compare.

“How about you?”  When Sid’s beer arrives he holds up his bottle in a silent toast.  To surviving.

And then, “You sing here?”  There’s maybe a little surprise in his voice, even though he doesn’t know her well enough to know – or guess at – what she does for fun.  Apart from drinking coffee with raspberry vodka with pink sprinkles.


Sid

She does know.  She knows how fast the world can change, usually with the shutting of a door.  Usually with loved ones on the other side of it.  The past year has been a trial worse than most and it shows.  Sid looked pale and haunted and too-thin in March and she looks pale and haunted and too-thin in August, but she looks a little better than she did laying on a hospital bed.  There is color in her face - a smattering of freckles to darken her milk white skin - and smaller shadows beneath her dark eyes and her hair has some of its former luster back.  It draws the eye.  She draws the eye.  There was a time when she wouldn't have made it through the door for fear of it but tonight she appears to weather it well.  There are things she wants and wants to do and sometimes getting them and getting to them necessitate walking through fire.  A sports-turned-karaoke bar isn't really akin to fire, but we digress.

Alex is alright and he looks alright, but he also understands that he might not always be.  Sid, though she doesn't smile at his response, seems to relax at it.  Relaxed enough not to tense up or move away when he looks her over in turn.  Clinking the neck of her bottle to his, she says, "I'm..." bottle poised just inches from her lips as she pauses to consider her answer.

"Okay," is what she settles on, and takes a drink.  She doesn't look terribly okay but she looks better at least, like she's getting there or trying to.

He asks if she sings here and she looks away to the stage, watching the man there sing some Bon Jovi.  "Sometimes."  Turning her head she gestures to him with her bottle.  "What about you?  Do you ever feel like embarrassing yourself for the enjoyment of strangers?"


Alexander

Alexander has had his share of closing doors, of loved ones left behind.  That’s what brought him to Denver in the first place… but that’s another story.  He maybe hasn’t had as many trials to face as Sid has, but he’s had enough to know that things can get bad.  Although just how bad still remains to be seen.  But being the nice young guy finding out that things – that reality - were never quite as he thought?  That’s a doozie to be starting out on.  If he knew her more, he’d be impressed at her ability to walk through those fires.  And be asking how she manages it.

But he doesn’t.  All he does know is that they’re both here with cheap, but drinkable, beers.  And they’re both okay.  Demons and skeletons safely wedged back into the wardrobe, even if there’s a chair holding the door shut.

His gaze?  Shouldn’t be anything to worry about.  There’s no lust, no expectation, there.  Just consideration of how she seems to be bearing up.  She’s not the same woman drinking gaudy flavoured coffee from those months ago, but she is looking a whole lot better than she did in hospital.  He nods when she decides on “Okay.”

He smiles when she asks if he’s one for standing on stage and singing for a drunken crowd, shaking his head and looking down at the neck of his beer bottle.  “I haven’t sung in a long time, in front of anybody else in even longer.  It’ll take a lot stronger than this to get me up there,” he shakes the bottle as he finishes.  Which, while not being a resounding yes, isn’t an outright no.  “What do you tend to sing?  I don’t even know what kind of music you like.”  He glances at Sid before looking at the Bon Jovi-singing man.


Sid

Sid doesn't know what Alex knows about her.  What he might have learned when he tracked her to the hospital, to the room she shared with another sleeper caught in a manufactured dream, what he may have heard from other mages, what he's picked up from the one other time she was conscious in his presence.  But she can guess that the kind of music she likes is the tip of the iceberg of all the things he doesn't know about her.  The way he asks it, though, gives her pause, has the bottle hesitating millimeters from her lips a beat before she takes a drink.

"I won't make you," she assures him.  Go up on stage, that is, or much of anything else for that matter.  Sid's is a quiet, steady presence that does not press or push at others.

Then she shrugs, leans her elbows back against the bar and watches the people bustling around them.  Considering her answer to the question.  "It depends," she says, tilting her head toward him so he can hear her better though her eyes stay out on the other patrons.  "But usually I look for nineties alt rock songs.  Our Lady Peace.  Bush.  Cranberries.  Hole.  Things like that."  Shifting, angling her body toward him with a lifting of her far shoulder and a slight twisting of her waist, her gaze drops to the floor.  It wasn't always so hard to confide even these little minor things.  "I didn't start singing again until after the last thing.  The dream.  Before that, I hadn't done it for a long time, either."


Alexander

The two of them probably know roughly equal amounts about each other.  That is: the little they could pick up from 20 minutes sat in an Irish bar somewhere else in the city and the random bits of gossip that worked their way through the Awakened grapevine.  Nothing much more solid or significant than that.  Alex had gone as far as tracking down where Sid was when she was sharing a dream.  Others that he trusted had said that Sid was good people.  And you didn’t really try digging the dirt on people who you wanted to get on with.  Possibly work together with.  Doing that, if they found out, tended to mean that they didn’t want to know you for very much longer.  So even given access to information that most others in their little community – maybe with the exception of Grace – had access to, he hadn’t indulged his sense of curiosity.  Some lines don’t get crossed.

Especially when the people involved can rewrite reality to their will.

I won’t make you.  He looks back at the singer, making a reasonable job of It’s My Life although nobody’s going to be offering a recording contract any time soon.  He shrugs, undecided.  Maybe he will sing.  Maybe he won’t.  Maybe more alcohol will be involved first.

“Ahh, a rock chick then!”  He salutes her again with his beer bottle.  “Although I guess you didn’t really strike me as the kind to warble along to a Mariah Carey track.  Cool choice, though.”  He takes another sip from the bottle, holding it loosely in his hand and gesturing with it when he speaks.  “My mother had some bizarre taste in music when I lived with her, but I finally managed to get over it with a bit of Floyd and went from there.  I think she still has a couple of David Hasselhoff vinyls stashed away somewhere.  I swear, Child Services should include copies of Looking for Freedom when they inspect places.  That’s stuff's just cruel.”

He looks back at her again, watching her watch the crowd.  “You missed it?  The singing?”


Sid

"I don't have Mariah's range," she says, seriously.  Mariah Carey has a five octave vocal range.  Sid's range is smaller, lower, better suited to the bands she named and then some.  So, Alex knows a little more about her, and something that no other mage in the city knows.  Sid sings, and she doesn't have Mariah Carey's range.

"Otherwise I might."

There is a moment where he looks like he might be considering going up on stage, and still Sid does not push.  It's just not her way.  Her version of hedonism is to do the things that bring her pleasure, to revel in them when given the opportunity.  That means not dragging the unwilling to go do those things.  But perhaps she'll go up, herself.  Later.

He mentions his mother and her taste in music, her possible collection of Hasselhoff vinyls, and something in her expression changes.  Warms.  Her lips part like she might offer an anecdote of her own, but the words, the stick in her throat.  Tilting her head away, she clears her throat.  Relaxes it.  Breathes in deep the smells of the bar - fried finger foods and free flowing, cheap beers, perfumes and colognes - breathes it back out again as she forces her shoulders down and back.

Did she miss the singing?  Without hesitation, Sid gives a slight nod that does nothing to express just how much she missed it.  "I was in a band.  A long time ago.  We weren't very good," she admits, not quite smiling for the fond memories, "but, it was fun."


Alexander

There’s a sip of beer as he considers Sid’s choice of song and how her range affects that choice.  “So it’s not a particular type of music you like to sing, then?  It’s more the singing itself?  Is there anything you wouldn’t sing, even if you had the range to cover it?”  Because sometimes it’s easier to run through the things you don’t like than the things you do.

He goes back to watching the crowd, but not before catching Sid’s aborted attempt at her own story.  He smiles as he asks, “What?  You looked like you were about to say something.”   There’s no pressure, though.  If she doesn’t want to tell, that’s fine.  But he’s happy to listen if she has anything she feels like telling.  He won’t be doing any dragging tonight either.  Barring bar fights and passed-out drunks.

“What happened?  With the band, I mean.  You guys drift apart?”  School, college, work, family, creative differences; There are all sorts of reasons why bands break and go their separate ways.  He’s expecting it’s one of those, though.  “You play any instruments?”

There is the smell of things deep-fried, mixed in with other pleasant – and some not-so-pleasant – odours.  “You want something to eat?  Nachos or something?”


Sid

"It depends," she says again, but does not elaborate.  He has fired off another question and she has to think about it before giving him a non-commital, "I haven't thought about it.  Probably rap.  I'm not young enough to mimic Faith No More, not anymore."

He asks her 'what,' mentions that she looked like she might say something and she gives a slight shake of her head.  The flow of conversation continues.

Something about the way he asks after that old band causes her to shift where she stands, to shuffle her feet so that she's angled more toward him, to face him more directly than she does the crowd.  Her increased tension begins to reveal itself in her short, quiet, "College."

She does not answer his next question, or the next, or the next.  Instead she regards him with a steady and at once distant gaze.  There is something about the way she looks at him that seems much older than her uears, and wary, yet infinitely patient.  Something about the way she looks at him calls to mind a deer, but not the skittish doe prepared to bolt.  She is the ancient stag standing at the forest's edge, watching, assessing, determining if there is a hunter near or not.  Because this is all starting to feel like,

"Is this an interrogation?" she asks, more curious than suspicious, though there is some suspicion.  Like her shadow it is always with her, sometimes ahead of her, leading the way.  And sometimes, like now, it stretches out behind her, faded by a faint light and not quite blending into her surroundings.


Alexander

The haze of four-and-some bottles of beer fuzzes the edges of Alexander’s awareness, but not so much that the start of Sid’s reaction goes unnoticed.  Her turn, the edge of tension.  His gaze moves back from watching the crowd, the surroundings, the changing singer on the stage to look at Sid when she turns.  Is this an interrogation?  He cocks his head to one side, taking another swig.  Then he shrugs.

“Last I heard, musical tastes aren’t a matter of national security.”  He smiles a little, trying to show that he is joking.  Although given the past suspicions of some of the others in town...  The feel of his resonance, that he wears a uniform in service of The Man.  (Although he’d argue he’s more in the service of the people than mindless servitude to the powers that be.)  He waves a hand, dismissing the attempt at humour.

 “I’m just curious about you, that’s all.  Most people, really.  And, honestly?”  He meets her gaze, eye to eye.  “I want to try to have a conversation with someone in the club that doesn’t revolve around the world falling to crap around us, or how everything is wonderful if you can just learn to see it.  I want to know that getting on with normal stuff is still A Thing.”

He shrugs again, turning to look at the bar so he can put his now-empty bottle on it.  “If you don’t want to answer, don’t answer.  I’m not going to force anything.”


Sid

"You never know when someone's opinion of ZZ Top marks them as a threat to the American Dream," she replies.  If she were lighter, or capable of being lighter, her own attempt at humor might be more obvious.

She listens to him, though, what he wants, what he's hoping for in talking to her, and for a moment there is...not pity, not even sympathy, but empathy, understanding.  Sid takes a sip of her beer, holds the bottle up to check the level of liquid against the light, then turns to set the bottle on the bar next to Alex's.

When she turns back she rests her elbow on the bar and laces her fingers together before her.  "I..." she starts, eyes cast down because revealing even the simplest truths is easier when one isn't looking into a pair of nice young eyes, in a bar on Friday night or maybe it's Saturday morning by now, with a stranger stepping up to try We Own It.

Looking up, meeting those eyes regardless, Sid says, "I'm very private."


Alexander

It may not be a blatant attempt at humour, but it does get a smile nonetheless.  He considers ordering another drink, but waits for the moment.  At least until it’s a little clearer which way the conversation is headed.

I’m very private.  He watches Sid as she breaks the eye contact while she… works up the courage?  Decides what to say?  How much to say?  He can’t tell and, really, it doesn’t matter.  Because…  “I’m not trying to trick you or analyse you or figure out your deepest, darkest secrets.  I just want to get to know you.  You know, the old fashioned way.”  No reading police files, no mind magic, no picking up bits and pieces through the various grapevines running through the city.  No dealing with the various crises they seem to get so easily tangled up in.

Sid says what she says, but he holds up a hand – open, palm down – and makes a slow down, stop motion.  He turns again, leans both elbows on the bar and look down into the empty bottle, smiles again.  “Even if it’s just for tonight, can we leave all that… stuff alone?”  He looks up at the barman, raises a hand to get his attention.  As he moves over, he turns his head to look at Sid again and asks, “Tequila?”

Getting drunk together: the good, old fashioned way of getting to know people.


Sid

I'm very private, she says.  I'm not trying to trick you, he says, and Sid shuts her teeth down around the words that would have followed, listening instead to the Orphan apprentice, a frown shadowing her face.  I just want to get to know you.  Sid's expression softens.  There is sad sympathy in her warm and brown and ancient eyes.  He doesn't know the curse that comes with getting too close to her.

"It'll be better for you if you don't," she says.  The corner of her mouth lifts with a shadow of a smile.  "Especially if you're trying to avoid conversations about the world falling apart."  She pushes herself upright from the bar.  "I'm going to sign up," she says.  To sing, she means, or must given her apparent trajectory.  "Do you want to come?"


Alexander

He cocks his head to the side when she says it's best that he doesn't try to get to know her.  He's not quite sure if that's intended to protect him, or protect her.  But they're both adults and have at least a passing idea of what their life seems to involve.

"Just for tonight.  One night of being human before the world turns to shit again."

Do you want to come?  He thinks for a moment, watching her waiting for reaction, before quickly ordering a couple of tequila shots to take with them.  One for her, if she wants it.  If not, it's extra courage.

"What the hell, why not?"


Sid

There will be no more talk of pasts or pains, not unless Alex is in a sharing mood.  And he can keep his liquid courage for himself.  When offered the second shot of tequila Sid shakes her head, but that glimmer of a smile returns if only for a moment.  It is good to do fun things.  It is good to do the things that bring one pleasure.  Because the world turned to shit ages ago, long before either mage was even born.  And somewhere out there it is falling apart, unraveling, devolving into chaos.

But for tonight, for a little while at least, things are quiet for Sid and Alexander.  Relatively, anyway.  Sid scans the computer screen for something that speaks to her, something that will help her express...something.  She makes her pick and gives her name and then steps aside for Alexander, chewing her lower lip in thought while he searches for his own song.  Her hand alights on his shoulder, just long enough to get his attention, long enough for him to feel the warmth of her palm through the fabric of his shirt.  Then it's gone.

"Would it be less, ah.  Would it make you less nervous if we tried a duet?"

=====
[for the future because i rolled already hah]
niko @ 10:44AM
[charisma+performance+WP]
Roll: 6 d10 TN6 (1, 3, 5, 5, 6, 6) ( success x 3 ) [WP]
Samael @ 10:47AM
Witnessed!
niko @ 10:47AM
Danke!


Alexander

Alexander has learned many things.  One of those things applies more and more often these days.  That you need to escape, to get away from the job, the work, the saving of the world.  Otherwise you burn out and that serves no purpose at all.

So no, tonight he doesn’t talk of pains, of troubled pasts, of new starts and new Awakenings.  Tonight is for escape, with someone who might need that same kind of escape from time to time as well.  Time to forget that the world is turning to shit, forget about doing what they could to set it to right.  Time to set their world to rights with alcohol and music and singing semi-drunken songs with a semi-drunken audience.

He carries both shots over to the screen with Sid, peering at it as she skims through the list.  Would it make you less nervous…   He smiles as she offers, feeling the warmth of her brief touch, sipping at one of the shot glasses.  He is nervous – this is something he’s never done before.  But that fear, that’s something he knows he needs to face.  And this?  At least this doesn’t really matter in the grand scheme of thing.  So he shakes his head and starts flicking through the list once she’s done with it.  “Probably, but what the hell.  You only live once, right?”

Probably.

So he flicks through the list, a few songs catching his eye.  He picks one, signs up.


vesta @ 8:17AM
[Cha+Per - Doh, a deer, a female deer...]
Roll: 4 d10 TN6 (3, 6, 9, 10) ( success x 3 )
vesta @ 8:17AM
What d'you know, he can carry a tune.
HDub @ 8:19AM
he can carry a tune pretty well, actually!


Sid

Sid's relief at that shake of the head is...well it's not terribly great or outright noticeable.  It's not that she offered to do something she wouldn't want to follow through with.  It's that as she asked she tried to recall what duets she'd seen on the list and they all came up romantic.  I Got You Babe.  Islands in the Stream.  I've Had the Time of My Life.  This is only the third time she's even been in a room with Alexander, and only the second such meeting where she's been conscious.  She just doesn't want to sing a romantic song with someone she hardly knows.

He picks a song for himself, and then they have to wait.  Not long, as it turns out, but long enough that idle conversation can happen.  And it would happen, except that another regular to the bar sees Sid waiting over by the stage and drunkenly weaves through tables and chairs toward her.  She's shorter than Sid and Alexander by a handful of inches, but even so Sid edges back a little when the woman leans toward her.  "Yer singin'?" she asks, to which Sid nods.  She doesn't look uncomfortable, at least not any more than she did before.  She likes her space, clearly, and she doesn't like people breathing vapors into her face, obviously.  But she doesn't look like she's preparing to vanish in a puff of smoke to get away.  In fact, she appears to recognize the woman.

"Y'should sing that one again.  Uhhhh...Love somethin'.  Love...love...love..." she trails away, her attention landing on Alexander.  "You 'er date?" she asks, and then more excitedly to Sid she asks in a stage whisper that has the Verbena wincing.  In a stage whisper anyone in a three foot radius can hear clear as day despite the young woman on stage belting out an impassioned Rolling in the Deep, "Is he your date??"

Sid puts her hand to the woman's shoulder, her touch light yet firm.  "Not exactly.  Sue, why don't you go sit down?  It's almost my turn and I have something in mind.  But you can make a request after."  She presses against Sue's shoulder, urging her to make her way back to her seat, which she does, but obviously with great reluctance.  Sue keeps looking at Alex, which causes her to stumble into a chair.  Only then does her fixation finally seem to break, her attention held up a moment with a glare for the unexpected obstacle.  Sid watches her the whole way, faint concern showing in her eyes.


Alexander

Sid’s relief goes unnoticed – in part because it’s not so obvious, in part because Alexander is busy flicking through pages of songs.  The choice to go solo is quite simple, though – he hasn’t done this before and he doesn’t want to ruin whatever Sid chooses to sing.  This is her escape as much as his.  But even if he had chosen to sing with her, he would have had the same issue with choice – trying to find a duet that doesn’t involve declaring undying love...  So he picks and joins the short queue to perform.

Sue staggers up and leans into their space, making Alexander lean back a little too.  He looks to Sid to see how she reacts, making sure that the two do actually know each other.  They do seem to know each other, so he takes a step back to avoid leaning.  Because even after a few beers, the waft of too-much of something-stronger isn’t nice.  And because he likes his space too.

You ‘er date?  His eyes roll, looking away and around the rest of the crowd – hoping that she loses interest quickly.  Is he your date?   “No!” he answers at the same time as Sid replies with her not exactly, turning back to face the pair.  He doesn’t say anything more, but gives Sid a puzzled look.  This isn’t a date.  Sid manages to steer Sue away after a few moments and he watches her stagger and stumble away out of the corner of his vision.  He’s aware of her attention and trying very hard not to show her any recognition of it.

“Friend of yours?”  he asks, finishing off the remains of the first shot glass.  Eyebrows raised with the unasked question – Not exactly?


Sid

Alex fervently denies the suggestion that he's Sid's date and Sid, quiet, watchful thing, darts a glance his way, fleeting and swift - just long enough to see a hint of Oh no before her attention is returned to the drunken Sue.  Luckily, the woman was focused just enough on Sid that the fierceness of his refusal went unnoticed.  Or maybe it didn't.  Maybe that's why she watches him so long, though he tries not to acknowledge it.

Friend of yours?

Sid pulls her attention back.  "No."  And then, slightest hint of humor curling at the corners of her mouth, "Not exactly.  Didn't anyone teach you how to divert the drunk?"


Alexander

He looks at her for a second before smiling and looking down at the floor.  “Yeah, good point.”  His gaze comes back up to Sid, Sue still in his peripheral vision.  Just in case she comes back to clarify things or, worse, try to stake her own claim.

“I usually just ignore them until they get bored and wander off.  Or arrest them.  But that’s far too much paperwork and I’m already signed up here any everything.”  The smile fades and he shrugs.  “I don’t get out like this a lot.  Usually it’s the guys I work with at the same old place, so we tend not to get bothered much.”


Sid

Sue has made her way to a table to the side, where she rejoins a cluster of people who vaguely resemble her.  Children, maybe, or brothers and sisters, or...something.  Out for a good time on a Friday night, only now, as has become custom, they must keep an eye on their wandering Sue.

Sid isn't watching them, though, she is watching Alex.  "A dog doesn't get bored if you give it a bone to chew on," she says sagely, then tilts her head a little at an angle.  Offers him that slight almost-smile.  "Something to remember next time."

Like there's going to be a next time for them in a place that is not the same old place.  And maybe there will be.  Probably there will be.  But first, the MC for the karaoke gets on stage and speaks into the microphone.

"Amelia, you're up!"

Sid's chin lifts and she glances back at the stage before turning back to Alex.  "That's me," she says, and before he can react she is turning away and taking up the stage, herself.  Somehow, when she gets up there and takes the mic in both of her hands, eyes closing behind those dark-rimmed glasses, she seems different.  More vibrant, more alive, like she is in a place where she belongs.

The music starts and she moves with it, tapping her heel on every other main beat.

"Crash and burn
All the stars explode tonight
How'd you get so desperate?
How'd you stay alive?"

Of course.  Hadn't she mentioned Hole in her list of preferred bands?  As she sings, low and husky voice carrying easily throughout the bar, she puts her all into it.  Every part of her, every cell, every fiber of her being pours into the song, clear through until the final verse.

"I can't be near you
The light just radiates
I can't be near you
The light just radiates"

She finishes to a modest round of applause, nods to the crowd, and unhurriedly makes her way off of the small stage, making space for Alex.


Alexander

Sue vanishes back into the crowd, and neither of them are really tracking her any more.  She’s not important and, with any luck, her brood will keep her under control for the rest of the night.  Alex smiles, nodding, when she offers the advice.  “I’ll remember.  Or bring handcuffs.”

Then it’s Sid’s turn and she’s up and away before he gets a chance to even wish her luck.  Or is it breaking a leg when you’re performing?  That always seemed like a strange thing to wish on someone.  She’s away and the music starts and she comes alive.  Or escapes everything that holds her back, pulls her down.  Just for tonight?  For the song?  For the moment?  It doesn’t really matter.  She’s singing and she’s alive and, for those few minutes, the song is all that matters.

It’s not a song that he knows, but he nods along as she sings it well.  Listening to the words, he wonders if there’s a reason why she picked the song.  Hadn’t she said that it would be better if he didn’t try to get to know her?  Better that she doesn’t get close in case her light burns?   Or is the alcohol helping him jump to conclusions that aren’t really there?

Either way, the song is soon over and she steps down making way for him.  The MC gestures for him to take his places and Alex?  He looks nervous now, taking a breath, trying to swallow with a dry mouth.  There’s still that last shot of tequila in his hand.  He passes it to Sid, though, before stepping up and grabs the microphone in both hands, subconsciously trying to make himself smaller.  The music starts and he turns to face the screen.  He’s a little late starting with the lyrics, but her gets back into sync before the song turns into a wreck.

“I know you didn’t realise
That the city was gone.
You thought there would be advertisments
To give you something to go on.”

The screen is a distraction from the crowd, from their attention.  He can feel Sid behind him, watching him, but her presence is more reassuring than daunting.

“So we search the sky
For any flashing signs
We’ve gone too far beyond
The border, it’s just you and I.”

Euphoric, empowered.  He feels it and it builds with his confidence.  He’s staying reasonably on key, in time, and honestly?  He’s starting to enjoy himself.

“And if this is the end
It’s the best place I’ve ever been
It feels so good to just
Get lost sometimes.”

He glances round at Sid, a smile back on his face as the chorus starts.  He’s still following the lyrics on the screen, but is looking a lot more relaxed than he did at the start.  The chorus starts and he’s starting to bounce along on his feet, enjoying his time on the stage.

“Only the horses!”

The song lasts minutes, but time being time it seems to be over in moments.  It’s enough, though.  For now.  The song comes to an end and he passes the mic back to a reasonable amount of applause and steps back to Sid.

“That was fun!”  He sounds surprised.


Sid

When Sid leaves the stage she makes her way back over to the bar, to place where she can watch Alex without standing right up front like a groupie.  She accepted long ago that she can never truly be an anonymous face in the crowd - not unless she changes her hair or uses magic to hide the beauty of her features and figure, or to hide a powerful collection of resonance that will forever mark her as Other.  But maybe Alex will be less nervous if someone he knows isn't right up in front of him, watching him intently.

Or maybe he'd be less nervous for the moral support.  Sid is not a mind reader, hence why she chooses a place of visibility but at a distance.  From there she watches him as he stumbles at first.  She doesn't recognize the song, but the intro sounds fast.  That will either be daunting, or he'll be so focused on keeping up that he'll forget to be nervous.  Seems he goes the latter route.  Sid nods in time to the music, a small but pleased smile playing on her lips.  She warned him not to get close to her, but she invited him out here, to this place that is her escape.  She's invited him to make it his, as well, at least for tonight.

Up on the stage there are no terrors.  There are no ghostly figures chasing in the darkness, there are no demons, no Nephandi to be concerned about.  In here, no one is worried about the rash of disappearances in the city, of fit and healthy people vanishing into the ether.  In here there is only the heat and noise of the crowd, the smell of the alcohol, the feeling of release.  Alex looks like he's releasing himself a little more, a little more, bouncing to the beat as he sings the chorus.

And Sid smiles warmth and encouragement.  When he finishes, Sid is clapping one-hand against the inside of her left wrist, careful not to slosh the shot she's been entrusted with.  When she offers it back to him the glass is warm from being held in her fingers.

"You looked like you were enjoying yourself," she comments, amusement dancing in her ancient dark eyes.  "It's a little like riding a roller coaster, isn't it?"  She nods to the stage.  "Do you want to go again?"



Alexander

“I was.”  He smiles broadly as he accepts the shot glass back, feeling the warmth that Sid’s hands have imparted on it.  But rather than drinking it, he leaves it on a nearby table.  Maybe it’ll be picked up and drunk by someone, or cleared away by the staff.  But he doesn’t feel like he needs it any more.  He’s had enough to relax and there’s no real need for any more alcohol-imparted courage.  He shakes his head when she asks if Alexander wants to go again, though.  “I think I’m good for now, but if you want to sign up again then go for it.”

Maybe he’ll try again later in the evening, but more likely it’ll be another night before he takes the stage again.  Doing something too much can lead to it becoming old and stale, and he doesn’t want that to happen.


Earlier in the night, Alexander had made a request.  To leave all of that alone, even if it’s just for these few hours that they’re sharing here.  The world may very well be spinning down the drain, filled with Nephandi, vampires, murderous spirits, Union-created disease, insane AIs...  They – the Awakened – may be the ones that stand in their way, but they all need their own lives too; A way to get away from it all.  And right here and right now, and for as much of the night as it takes one or both of them to drift away home, they are simply two ordinary people enjoying each other’s company.