Sunday, 18 October 2015

Wait… not tooth marks?

Alexander

Alexander had been sat, perched on his bike, for almost an hour outside the climbing wall on West 5th. It wasn’t a regular thing they had arranged – mutual shift patterns made anything as fixed as that impossible – but it was how the two of them had met. They’d both needed someone to belay while they climbed, so they’d helped each other out. They’d got chatting about work and, small world as it sometimes is, had found out their similar lines of work.

Today had been one of those days where their mutual schedules came into alignment, a day when they were both free with nothing else edging into their free time. They had arranged to meet after work and get a couple of hours in on the wall. Only Alison hadn’t shown. She didn’t work too far away, so even with bad rush hour traffic it’s surprising that she hasn’t shown. He’d tried calling – using the phone that hadn’t met a messy and crunchy end under a car’s wheel – but each time he’d been diverted to voicemail after several rings.

It hadn’t taken him long to swing by her office, just to see what was going on. Alexander had met her here before, picked her up and given her a lift, so the receptionist recognised him. His police ID was equally good for opening doors. So it was no trouble getting to where Alison was currently occupied, and apparently blind to the time of day. There’s a knock on the lab door and Alexander’s head appears around the door.

“Forget something?”

Alison Hunt

One wouldn't think that a city that gets as much sunlight and fresh air as does Denver would be a hotbed of criminal activity but Colorado is one of the western states and the western states have always had a reputation for lawlessness. The violent crime rate in Denver is twice as high as that in the rest of the state. It's nearly twice the national median.

It also means that those who enjoy the outdoors and happen to work in law enforcement have to make sacrifices sometimes. And sometimes can't get to their cellphones to let their friends know they're going to be late because they're up to their elbows quite literally in perforated intestines.

Dr. Hunt is a thirty-something woman of above average height with light brown hair and blue eyes. Long hours subsisting on coffee and cracking open cadavers to get at answers has left her with slight bruising beneath her eyes but she has a ready smile and a healthy sense of humor.

She's in the middle of typing up a report when Alexander pokes his head through the door.

"Aw, shit," she says. Pushes her wheelie stool back from the computer station and stands up. She's got her lab coat on over her scrubs and her hair is still constrained beneath a surgical cap. "Brandt, I'm so sorry, I was on my way out the door and I got an expedite call in from homicide, Captain Tamboia wanted this John Doe on the slab, like, yesterday."

Alexander

In some lines of work, there is an assumption: don’t make any plans after work, something will make you late. It was almost a curse, one much more reliable than walking under ladders or breaking mirrors. So it’s no great surprise that Alison had been buried in ever-shifting deadlines and urgent requests and things that can rarely wait.

Alexander pushes the rest of the way in, letting the door close quietly behind him. He’s holding a couple of cups of coffee in disposable paper cups, one of which he sets on her desk while he leans against the front of a filing cabinet. “No worries. Anyone I might know?” He cocks his head, trying to get a better look at the current occupant of the autopsy table. Thankfully the worst had already been done, the large Y-shaped scar on the chest and abdomen coarsely sewn up, the guy’s modesty preserved with a sheet.

Alison Hunt

The look Hunt gives him when he puts the cup of coffee down on her desk is one of eternal gratitude. Possibly unflagging adoration. That may be directed towards the coffee itself and not the man who brought it though. She thanks him and lets the heat permeate the cardboard and warm her thin hands.

From where Alexander stands he can see that the body has strangulation marks around its pale neck. Like the victim he found in the Phoenix on Fax apartment building this one is young. Somewhere in his twenties. Both of them would have been attractive were they still alive.

"I hope not," she says after her preliminary sip of coffee. "The mechanism of injury matches Kozlowski's, though. We're still working on identifying him."

Dental records are even slower than toxicology reports.

Alexander

The power of coffee can never be underestimated, at least in those who worship at the altar of Arabica. Even more so in those who work long hours, in uncomfortable places, with little to no appreciation. It was just a guess that, if Alison hadn’t been able to get away to send a message to explain her delay, she wouldn’t have been able to get away to grab a drink. He might not be able to do much to help with the lab work or the paperwork, but he can at least provide warm caffeine.

“I’ve been keeping an eye on the Kozlowski investigation. Any idea what happened to him?” It might seem like a strange question, given the obvious wounds the poor guy had sustained. But there’s the question of which ones killed him, and which were made before and after he died. Which ones were simply for the amusement of the sick bastard who’d killed him. The sick bastard who, given the faint resonance and the mysterious disappearance, may well be Awake.

Alexander sets his cup on the top of the filing cabinet and walks closer to the lab table, getting a better look at its occupant. Basically to see whether or not the guy does look familiar.

“Nothing in AFIS for him?”

Alison Hunt

Any idea what happened to him?

"Same thing they think happened to Kozlowski," she says. That isn't a jab at the question's strangeness. Certain details of the Kozlowski case aren't going to be accessible unless Alexander engages in some light snooping. "Picked up someone who seemed harmless, went someplace to be alone, wound up with a knife in his gut. This one has some genitalia trauma Kozlowski didn't have."

Well then. What about AFIS.

"Not a damned thing yet, but we just got him on Friday. Something might come in on Monday."

If nothing comes it that would only eliminate the victim having a criminal record or ever applying for a pistol permit or a job requiring a background check. That would put him in line with being a transient.

Alexander

“Well, great. Just when things were getting dull in the city, it sounds like we might have a serial killed on the loose. Or just a freaky set of coincidences.”

Coincidences do happen. Random chance does have a habit of throwing them up on occasion, and even remotely rare occurances can occasionally cluster together unexpected. It could simply be that two completely isolated murders happened in the same city, within days of each other, with similar wounds to each.

“Genitalia trauma?” Alexander glances at the appropriate piece of sheet before looking back at Alison. “He’s had it cut off?”

Alexander’s attention turns back to the body: the face, the wounds around the neck. Or, at least, that’s where his vision is. One of his hands has slipped into a pocket, running a coin over and over between his fingers. Is this random coincidence, or was this the same guy?

[Entropy 1. Dunno what to call it, but working out if it is simply random chance that links the murders. Coincidental, base diff 4. +1 for fast casting, -1 for taking time. WP.]

Dice: 1 d10 TN4 (9) ( success x 2 ) [WP]

Alison Hunt

Hunt is not one of those women who laments her status as a single childless woman nearing menopause. She is married to a perfectly lovely woman named Amarie who works as a medical illustrator. Conversations concerning genital trauma are not uncommon around their dinner table and when Hunt laughs at Brandt's eyes' journey he hears no malice in it. Some gentle teasing perhaps.

"No, I mean... it's still there? Not gonna do him much good now, though."

This is not random chance. The two bodies are linked. Same motivation or same victim profile or same circumstance. Call it blossoming instinct: Alexander has the feeling it was the same person who killed both of these men.

Alexander

“Well, no. I wouldn’t expect him to be fathering any kids now. Not unless there are little John Doe’s swimming around in a freezer somewhere anyway.” He’s smiling as Alison laughs, no offence taken. “Wait… not tooth marks?”

Given the location, the next idea to cross his mind may not the best that he’s ever had given the location and what goes on here. But, on the other hand, this isn’t a place where people die. It’s simply a stopping off point between where various bodies die and where they were finally disposed of. One of the advantages of anywhere to do with medicine is the abundance of metallic surfaces. Some are matte, others reflective. It’s probably not all that likely that the guy’s spirit is tagging along with the body, but it’s worth a shot.

[Spirit 1, sensing spirits. Coincidental, base diff 4. -1 practiced. Think I need 2 successes to have a chance of saying anything before the effect fades?]

Dice: 1 d10 TN4 (8) ( success x 2 ) [WP]

Alison Hunt

Though he can sense the presence of spirits in other parts of the morgue the nature of spirits being to hang around the places where they spent the most time and many people being self-centered and unaware of the larger world around them in life Alexander cannot see any sign of the spirit belonging to the young man laid out in front of him. That may come as some comfort. It may also mean that too much time has passed. Or that the spirit is hanging around the place where he died.

"No tooth marks," she says. "From the angle and the depth I'd say the assailant was aiming for the abdomen but missed. If he had lived it wouldn't have ended his career as a sperm donor."

A beat.

"How late is the rock wall open?"

Alexander

If dying weren’t traumatic enough, he wouldn’t be surprised if the prospect of watching what was your body be taken apart and crudely put back together again was something that the average recently-deceased spirit was something that they’d want to skip on their way to the afterlife. But it is a relief to find that there aren’t dozens of spirits hanging around the place.

How late is the rock wall open?

“Oh, yeah. Until 8, I think. If you’re about done here, we could still get a few climbs in. Or we can rain check if you need more time.”

Alison Hunt

"No, I'm almost done. I just need to stick him back in the freezer and finish logging it."

And she has coffee now so the process should go a lot smoother. A thought comes to her as she's returning to the computer to do just that and she glances back at him after the next sip.

"Is your interest here professional, or...?"

He did ask if it was possible he knew the victim. Plenty of folks ask that when they walk in though. Gallows humor. No judgment in the question but folks like Hunt like to have prior warning that a visit from internal affairs is on the horizon.

Alexander

Is your interest here professional, or..?

“Oh, strictly professional. With maybe just a little morbid curiosity. You know I found Kozlowski on some noise complaint call, right? Call it… professional curiosity? Or practice for when I get around to trying for my detective badge.” He shrugs. He knows he isn’t, strictly speaking, supposed to be watching things develop – the case was taken away from him as soon as the grown-ups started arriving at the scene. But he isn’t doing much more than watch at the moment.

Alison Hunt

"Hey," she says. Stands from her computer station and punches off the monitor and moves to the body. Time to put him back in the cooler. "You catch the perp, that's an instant promotion, right?"

Fifteen minutes later she's changed out of her scrubs and they're off into the night. Hard to relax with the sense that what has already happened twice is going to happen again but they can't live their lives worrying about what they can't control. That way lies madness.

Monday, 12 October 2015

It Flows [Mood]

First, Car 12 had arrived. The door had locked itself behind him, something he hadn’t noticed on his entrance to the apartment. They had hammered on the door, calling out their presence and identity, until he’d popped the lock from the inside and let them in. The homicide detectives had followed, with the CSI’s hot on their heels. He’d been pulled outside, where squad cars and vans with various markings had gathered, adding their blue and red strobes to the street lighting. Other officers canvassed the neighbours, the apartment below who had called in the original noise complaint.

The detectives had wanted to know what he’d seen, what he’s heard, what he’d done. The CSI’s had wanted his boots and uniform, to eliminate him from any trace evidence they might be able to find. He’d answered what he could, but a lot of his answers were simply ‘I don’t know’. Some because he really didn’t, others because he couldn’t. He couldn’t say that he felt that this was just the beginning, that there was some quirk of fate pointing at another murder. He could say that he’d felt the presence of someone else there, something of their Work.

Eventually, Alex had made it back to station. First stop is to get showered and changed out of the paper overalls and disposable shoes that he’d been given. He showers, letting the water run hot and the stall fill with steam before he gets in. He just stands there, feeling the water flow over him. He knows there’s more to the world. He’s barely scraping the surface, but it’s enough to know that there’s so much more. He’d seen it – Kalen and Sera looking back through time. Lucy calling to ghosts and spirits. Others doing more than just watching from the side lines.

He gathers his will and pushes and pushes and pushes, trying and reaching and grasping for more than he has before. He feels more, seconds dividing into fractions, dividing and dividing and dividing, until he feels each sliver of time run over him like the water from the shower. He tries, scrabbling at the boundaries of the effect trying to find some way to extend it further. Some way to change the flow. Speed it up, slow it down, and even stop it. He’d done it before. He knew that he could do it again. He swings a hand against the wall of the stall, intimately aware of the exact moment that the contact is made. But none of it is enough.

Alex balls up his hands, resting them on the wall and resting his forehead on them. A man had been murdered and he’d been next to useless in discovering anything more than he’d been gutted. There had been that resonance. That was something to look into. But all he could do now was sit and wait for the reports to start flowing into the computer system.

How long he stands there isn’t important, but it is something he’s acutely aware of. He stays until the frustration fades, and the memories of the body stayed at rest until he thought of them. He stays until he gets dried, dressed, and goes to make his own – slightly redacted – addition to the stack of data that the case was going to build.

-----
Alex
[Arete, sensing time. TN4, -1 practiced]

Dice: 1 d10 TN3 (7) ( success x 2 ) [WP]

Alex
[Extending.]

Dice: 1 d10 TN4 (9) ( success x 2 ) [WP]

Alex
[Last one]

Dice: 1 d10 TN4 (2) ( success x 1 ) [WP]

the devil
HDub here!

Alex
*waves madly*

Alex
*points up*

the devil
Ooooh! Lookit!

Alex
All ready for one mood post, just needed someone to make sure I wasn't making them up.  Tongue

Sunday, 11 October 2015

Ain't none of my business if they want to be quiet about it

transient evidence

The call comes in around 21:00. For those who study time and its passage precision tends to lose importance with enlightenment. Time isn't linear and it isn't quantifiable. Not really.

But to be precise: the call comes in at 21:23. Dispatch puts out a call for a noise complaint at 21:26. A tenant in a walk-up apartment building between Pontiac and Poplar called about the upstairs neighbor screaming. That's all the information dispatch has for him.

It's a new-construction building. Modern architecture and Alexander can tell even in the dark that the tenants here have money. It's not exactly prime real estate but the location is close enough to downtown that the adventurous among them could walk to whatever they might need. It means parking is a bitch. If he weren't in a squad car he'd have trouble finding a place to leave the vehicle for the duration.

When he reaches the front door he has to use the intercom to contact the superintendent to let him into the building. A five-minute wait ensues. The old man had been asleep when his phone rang and normally he and his arthritic hips would come shuffling to the door reeking of alcohol to remind the person that they're going to have a lockout surcharge to look forward to but this is the police and if the superintendent has learned anything it's that you don't mouth off to the police.

The noise complaint is news to him. It doesn't surprise him though. "Damn kids are always loud," he says as he leads Alexander to the elevator in the center of the lobby. "I get a lot of complaints about this one anyway. He likes to bring other dudes home. I think they smoke the marijuana before they do whatever they do. Ain't none of my business if they wanna be quiet about it, but..."

Alexander

The night had been slow so far. Sunday night isn’t the busiest Downtown, although there are still plenty of people making the most of the last few free hours before work restarts the following morning. The calls to the PD had been fairly sparse, the local bouncers keeping things under control. So when something had kicked off out east, the roaming squad cars had been dragged around. Then when something relatively minor, a simple noise complaint, came up? Alex just happened to be the closest available car.

It might have been one of the latest attempts at rejuvenating East Colfax. Oh, there had been attempts before, but years of underfunding and bad planning and outright corruption meant that previous scheme had never really gotten off the ground. This building looked new, but there were already signs that the urban blight was starting to re-establish itself. Graffiti waiting to be cleaned up. Dented security doors, meant to keep the unwashed and unwanted from getting to the dumpsters or finding somewhere quiet to sleep.

There’s a wait at the front door. He’d tried the buzzer for the apartment who’d made the complaint. The buzzer for the apartment in question. Even a couple of random ones. Nobody seemed inclined to let him in. Not their problem. But the building super eventually makes it out and opens up.

The super does seem to have a little information about what’s been going on before, though. About the tenant’s usual habits. “Ever heard of anything more than loud noises going on up there? Things getting smashed up, EMS being called out, that kind of thing?”

transient evidence

The elevator dings and the doors open and the superintendent leads Alexander inside the car. Hits the button for the fourth floor with his thumb and hikes up his belt. Unseen keys jingle in a pocket and he coughs before he responds.

"Nah, nothing like that."

Not that he would know. This is a big building with what looks like decent insulation between walls at least if they can't have it in between floors. The apartment in question is on the top floor. It stands to reason the person who called to complain lives below him.

"This the first time I had somebody call the police though. Got new people in the unit under him."

When the doors open again they reveal a corridor with new carpet and fresh-painted walls. Sturdy-looking doors. One of the fluorescent tubes overhead needs replacing. It's burned out and gives the hall a tired cast. The superintendent leads him left and pulls out his ring of keys in case the tenant doesn't decide he wants to open the door.

Alexander

“What’s the guy’s name? He live there alone?” There isn’t any small talk to be made, it’s all simply business. The business of the super to look after the building, the business of the cop to look into why someone was screaming. It wasn’t unusual for people to not even try speaking to their neighbours before calling for police these days. Hell, some of the things people call with would be laughable if they weren’t taking it all so seriously.

She posted something about me on Facebook!

It doesn’t take long for the car to reach its destination. The corridor is slightly curious – the new carpet and fresh paint on the walls jarring with the burned out lighting. “How long has this building been open?” It just seems strange that it would have burned out so soon, or for slack maintenance to be showing up quite so quickly. On the other hand, defects do happen. Maybe this was just the bulb in a million that was dying before its time.

They reach the door, but Alex doesn’t knock straight away. First, he listens. They would have likely heard screaming or shouting from further along the corridor. But if it had been something as simple as a horror movie, or some argument over the phone, then there might be something quieter to hear. He also pops the clip away from his baton, just in case it wasn’t quite so simple.

transient evidence

"Victor. Vic. Some Polack last name. He don't got roommates or nothing."

On the electronic registry downstairs Alexander was able to glean the surnames of the tenants whose names were on the lease. The tenant in apartment 404 showed up as KOZLOWSKI, V.

All is quiet in the corridor. All is quiet behind the door. They can hear the distant sounds of a siren as it blares across the city but that is coming from outside and not from inside apartment 404.

The silence behind the door is heavy. Good cops are able to call on their instinct and to trust it. Alexander has the feeling deep in his gut that the silence is the afterbirth of the moment that made the neighbor call 911.

Alexander

Before Waking Up, this had been as far as his ‘sixth sense’ had extended. The feeling that something wasn’t quite right without really knowing why. Sometimes it’s a noise, something not enough to bring itself to conscious awareness. Sometimes it’s the lack of a noise. Sometimes, as now, it’s the feeling that something significant had happened on the other side of the door and that the dust was still settling, the world not yet taking its next breath.

The clip securing his pistol is loosened as well.

The feeling is enough to be cautious, but maybe not enough to call for backup just yet. Not without any more to go on than some shouting and a silent room. There are times where he wished he was more skilled with the abilities he’d acquired since learning there was more to the world than met the sleeping eye. The ability to sense through walls, for example. Or feel for life. Or minds. Or any number of things that would give him more of a clue of what had happened on the other side of that door.

There are still precautions that can be taken, though. “Give me the keys and wait by the lift. If it sounds like trouble, go call 911.”

First things first. If there’s a buzzer, it’s pressed. Otherwise Alex gives the door a knock. He doesn’t, yet, announce his presence any more than that.

transient evidence

With a frown the superintendent takes in Alexander's badge number and name tag. Might as well be able to tell the dispatcher which of their officers brought more trouble into the building if it reaches that point. Threads the key off the ring and hands it to Alexander with little more than a grunt of acknowledgment. Does as he's told. The wall by the elevator holds him up as he waits.

The door is secured by the lock. It does not whine open with the introduction of Alexander's knuckles to its surface. He has to use the key to let himself in and when he does he sees it is lit as if someone was here if not now then at some point.

An open floor between the kitchen and living room with hardwood floors and a warm yet dark color scheme greets him. In the kitchen the stove light illuminates clean appliances and clutter-free countertops. To Alexander's immediate left is the door leading into a spacious and unoccupied bathroom. An apple-scented candle burns on the counter beside the sink and the flame casts a red glow.

In the living room the television is off. As Alexander walks through the kitchen he passes a black square table with four chairs around it. Mail opened and piled atop it. The door to the washer and dryer closet is closed.

As he crosses the invisible demarcation between kitchen and living room he sees a bloody half-footprint pressed into the hardwood just in front of the bedroom door. The door is ajar but not enough to see inside.

Alexander

No answer, so he uses the key to gain entry. There’s to be no dramatic breaking down of doors or shooting of locks tonight. Not this early in the evening, at least. Who knows what the rest of the night will hold.

Alex stays quiet as he steps into the apartment, slow and cautious, hand resting on the back of his pistol. It’s not drawn, not yet, but it is kept in hand. Because that feeling that something’s not quite right is still there and it’s not getting any less. The room is clean, ordered. There are the usual signs of someone living here – the opened mail, the lit candle, other little tells that this wasn’t simply some display apartment to show people what they could be buying into.

The footprint, now that gets a reaction. It’s curious, though, that there were no others in the parts of the apartment that he could see. Footprints don’t generally start in the middle of a clean floor, with no puddles of anything to be stepped in. Blood is very rarely a good sign, though. The pistol is drawn, now, ready to be used.

Screaming, blood… Now there’s enough to get him concerned enough to want someone else there to watch his back. Someone more than an elderly guy with a limp and a bunch of keys. Alex backs out into the hallway for a moment – if anyone was in the apartment, they might already be aware of his entry and short circuit of the living area. But in case they weren’t, he wants his request for backup over the radio to – hopefully – go unheard. Alex keeps his pistol aimed at the door while he uses his left hand to work the radio.

“Car 12, requesting an additional unit to this noise complaint. I’ve got bloody footprints inside the premises.”

If Alex was sensible, he’d stay put and wait. Hell, it’s tempting. But one of his flaws is the same one that eventually brought the cat to a messy end. He wants to know what happened in there. He wants to know if there’s anyone still alive in there. Hell, they could be bleeding to death while he waits. He returns to where he’d found the bloody footprint, and the cracked-open door in to the bedroom.

“Denver police!” The door gets a swift kick before Alex steps back to the side, using the wall to shield himself from whatever’s on the other side.

transient evidence

And the wall forms as effective a shield as he could hope for. The silence inside the apartment belies nothing. If anyone were lurking behind the half-closed door he could if he could see through walls be able to call on his extra senses to tell him there's a body heat signature within his line of sight. But he cannot see through walls. He has to expose himself.

No movement inside the room. No breathing.

A dripping though. Slow enough that he misses it at first but as he hides and stands silent Alexander can hear it. Thick fat drops of liquid pattering to an already-saturated carpet is the only response he receives after kicking aside the door.

Alexander

No shots come ringing out, no shouts of defiance, and no sudden flurry of footsteps as someone tries to get away. No sound at all.

Apart from the dripping.

No breathing. Drip.

No movement. Drip.

Alex finds himself dropping back on instinct again. Conscious thought, doubt, worry would only get in the way. Instinct might keep him alive. Gun still drawn, outstretched, he moves slowly towards the door. As the angles change, he gets more of a view of what’s inside the room. He’s alert to threats, to people, to weapons. To anything that he needs to immediately react to. But he needs to see.

transient evidence

The first thing he sees is the body of a young man who was up until very recently still alive.

Drip.

Not as large as the living room but the bedroom is still a sizable area. Taking up most of the floorspace is a king-sized four-poster bed. The bed was made. A light gray comforter that was soaked in blood and other bodily fluids. The clothes the man had worn out this evening are strewn around the room and even without having taken a course on splatters or forensic psychology Alexander can tell that they were removed in haste and in the midst of a struggle. A pearlescent plastic button lies against the shore of another fuller bloody footprint.

Drip.

A pool of blood has soaked into the berber carpet keeping the only room in the house without hardwood floors insulated. The body is difficult to miss. The young man has a ragged mouth slashed into his abdomen. Someone pulled a length of intestine out of his belly and tied it around his neck and used it to lash him to one of the posts at the foot of the bed.

Drip.

No one else is in the room. Not hiding in the closet or underneath the bed.

Alexander

Oh, fuck. The training slips for a moment when Alex gets the full view of the room, sees the body on the bed and what had been done to him. But it comes back, that sense of floating over chaos, as he checks the rest of the room for whoever had done this.

Nobody here. He moves to the side of the bed, to check the body. He hadn’t expected to find a pulse, given the amount of blood soaked into everything that would absorb it, given the fixed gaze with the open eyes, no movement of breathing. No pulse.

How long had it been since the call came in? How long had the guy been lying here, bleeding out.

People who don’t really understand their work like to ask what’s the worst thing you’ve seen. This would be a contender. Certainly up there with some of the other things that he’s seen, especially the ones he wouldn’t talk to anyone outside of his circle of Awakened friends about. So he’s holding it together, for now. Maybe later, back at station standing under the hot water of the showers, it will hit him. For now?

Car 12, requesting urgent backup. I’ve got a murder scene here, no sign of the assailant.

There might be nobody living in the room, besides him. But that doesn’t mean that there’s nobody else in the room. The pistol stays drawn, ready to aim, but now Alex moves towards wherever he can find a mirror. Maybe in the closet, if not there’s the bathroom. Hell, anything with a reflection will do. Enough for him to see the recently departed.

[Arete: Sensing spirits, Spirit 1. Coincidental, so Diff 4. I think I’ve got this tagged as practiced? So -1. I think aiming for 2 successes, so there's time for a conversation?]

Dice: 1 d10 TN3 (8) ( success x 2 ) [WP]

transient evidence

The neighbors downstairs must have decided to call the cops after the assailant disemboweled the young man. As of right now the only person who can identify the body as belonging or not belonging to the tenant in 404 is the aging landlord outside. Without having heard shouts or shots he isn't going to come any closer to investigate and he can't besides. The doors shut with a simple lock and a deadbolt. The simple lock will stay engaged even after the door has been unlocked. In order to get inside the apartment one has to unlock the deadbolt and then the simple lock.

Alexander will have to remember later when he writes his report that the deadbolt had been engaged. He had to unlock it to enter the apartment.

This means whoever killed the young man had to have a key to lock up behind him. Either that or he somehow vanished into thin air.

Or he's hiding in the bathroom. Alexander didn't check behind the shower curtain.

When he opens up his senses to check beyond the Gauntlet he can see the pale impression of the young man left behind. Drifting around the body as if making sure it's uninhabitable now. Pale and growing weaker for he does not intend to stick around. He knows damned well he's dead and there's nothing to which he'd care to cling anyway. Ghosts are vibrant creatures. This is not a man who has any desire to be a ghost.

Alexander

Alexander spares enough attention to look at the spirit, seeing that he’s there and already fading. His knowledge on this bit is rather fuzzy but he’s already vanishing faster than some of the other recently dead that he’s encountered.

Victor.” His first attempt to call to the man is tense, tight, wound up as much as he is. Alex clears his throat and tries again.

“Vic. Listen to me. I need to know what happened here. Who did this to you? Where did they go?”

The pistol? That’s still aimed towards the entrances to the room, with Alex’s back towards one of the corners. He can see the spirit out of the corner of his eye, look to him if he needs to, but the doors are what he’s more interested in. At least until he’s not quite so alone.

transient evidence

That hazy place between living and death and without anyone calling his name at the end of his life the dead man had had no reason to stick around sure but now here's someone in his apartment walking around called too late to do anything to keep him on the other side and the spirit that once belonged to the body of Victor Kozlowski turns its head towards the sound.

As a general rule one needs to be able to touch the spirit world in order to communicate with those who inhabit that side. But Victor hasn't left yet and the fact that Alexander uses his nickname is a stronger tether than anything else.

But he doesn't know what happened here. He doesn't know who did this to him. He doesn't know where they went. If Alexander takes the silence as willful that would just be the nature of spirits but this particular spirit looks the Orphan right in the eye before he does the same thing the person who killed him did.

He vanishes.

Out in the hallway the elevator dings. The superintendent has to go let another pair of cops inside the building.

Alexander

“Waitwaitwait!”

Fuck.

This wasn’t the first time Alex had tried to speak to a spirit to get more information. There had been the guy who had been one of Victoria’s little pack. The woman in the creek, where he’d encountered Skye again. Each of them had stayed long enough to get something out of. Even to apologise to, for not being able to help them. He’s no Lucy, there to help guide the deceased to their final rest in a sleepy black river on the other side of the Gauntlet. Hell, he’s just making this up as he goes along, as best he can.

But he can’t look back. He can look through, but no more than look. Can’t look into the threads of magic that may or may not be running through the place.

Do the more adept of their kind know how lucky they are?

He does look for what little else there is that he can sense. Chaos. Time. Forces. He’s not really expecting to find anything, but there might be a clue to rule in – or out – anything supernatural.

[Arete again, sensing Entropy, Forces, Time. TN4. Winging it without all of his foci, so +3. So spending the WP, only want the 1 success to pull the effect.]

Dice: 1 d10 TN7 (1) ( success x 1 ) [WP]

Alexander

[Awareness: something hinky going on here?]

Dice: 5 d10 TN6 (2, 3, 4, 5, 10) ( success x 1 )

transient evidence

Sometimes the best way to begin the journey on a path to enlightenment is to determine what it is one does not know. This case is going to leave his hands just as soon as the crime scene technicians and the homicide detectives show up but in the meantime for the time he stands with his senses open he cannot see as anyone has made any alterations to the timeline. No radiation or strange heat signatures linger in the place. Nothing is about to break.

He gets the distinct impression that this is going to happen again though. That this was not an isolated incident. Call it fate.

He can also feel the presence of another's Working here. Such a faint sensation that he cannot state with certainty what sort of resonance the individual left behind. All he gets is the feeling that something has come undone or is coming undone. He is aware of it and that is all he can state with certainty.

In a few more minutes the officers from car 12 will be there. Alexander will have to answer more questions than he can answer. These are the last few minutes he will have alone in the place.

Alexander

One thing Alex is sure of is that there are lots of things that he doesn’t know. The finer aspects of investigating a scene for fingerprints, footprints, fibres, hair, trace evidence that isn’t obvious to the naked eye. Equally, he doesn’t know the first thing about how the warp and weft of magic can be looked at, traced, analysed. Or how the connections between things can be traced and followed. The trace of resonance here, was the Vic or the assailant? Do dead Mages leave a resonance? The place didn’t seem to be soaked in it, but then again Alex so rarely Works at home too.

He knows that this guy was murdered, and he didn’t seem all that happy about it. He knows that some kind of magic – other than his – was used here. He knows that blood and death can be used in rituals, although the particular pattern of cuts doesn’t strike him as particularly arcane. No runes, no symbols. Just a gaping hole.

Alex also knows people who do know things. The CSI’s, the coroner, the detectives. He might not be on friendly terms with many of them, but he does have access to the same computer systems that they do. There will be call logs, and CCTV, and all sorts of data that might come together in some way. He’s friendly with one of the medical examiners. And he knows people who can look back who might be able to find out more.

There are specific questions. Who did it? Why? And, maybe more important right now, where in the hell did they go?

There’s not much time left before others arrive here, but then there’s not much else that Alex can be getting on with before they do. One of those things is to take a closer look at the body, in case there’s anything else there that might be important. The other is checking the parts of the apartment that he might have skimmed over before. The windows. The laundry closet. Behind the shower curtain.

transient evidence

Nothing about the body gives him any further clues. No signs of a break-in. No signs of a struggle until he considers the state of the strewn clothes. The location of the murder could imply that this was a crime of passion. Or a crime that occurred under the guise of passion. Without looking back or convincing the spirit to stay long enough to talk Alexander will have to save his questions for another time.

There are no defensive cuts on the palm or forearms. Other than a cut across his throat and the cut across his abdomen no other injuries make themselves obvious.

The weapon came out of a block in the kitchen. It's lying on the floor where it is far enough away that it appears to have been kicked there rather than dropped or thrown. That single bloodied footprint outside the bedroom is the only indication that the killer had walked away.

For all his searching though Alexander has nothing else to tell the responding officers. Nothing that they will believe, anyway.

Friday, 2 October 2015

So we’ve got until Saturday then

Kalen

Kalen has built a house that he mostly insists is for Elliott. Not Elliott Dane, the name he was first given, but Elliott Chandler. The name he took after relaxing enough to offer that first name, the one before he took a name and tried to leave that life behind to settle into a life of duty. And he did the things that he should do for that, tango lessons and photography classes and eventually SCUBA diving, because he needed it to sound real enough.

And then there was an uncertain peace with the vampires and he had this house. With books and cameras and antiques. There are framed illustrations from old books on the walls, foxes, griffons, humming birds. Downstairs there is a nearly life-sized portrait of a tiger in oils. Original, of course. For anyone who knows him, anyone who has been Named by him, it is clear the lines he tried to draw here are blurred. He does not keep pictures, tries to keep from holding onto things from which those he loves could be traced, but here are their pictures in some way.

The living room has a couch, a coffee table with a whiskey decanter and two glasses and an antique globe, and a fireplace. The most evident thing on the walls here is a massive map of constellations, but the illustrations are here too: a fox, a set of hummingbirds, butterflies. There are plants inside too, rosemary in window boxes, a dwarf tree in a corner. The garden outside is neat, bushes trimmed into squared-off lines, but these plants inside are not shaped at all.

The house smells like pipe tobacco and old books and beneath that sage smoke and lemon furniture polish. And Kalen, Kalen who has let people into the library and brought people who killed him in visions home to live with him, hesitates a little as he opens the door wider. More self-conscious than reluctant. Not for years has he had a home to show anyone.

"Come in. Ah." He runs a hand through his hair and smiles a smile that makes his eyes look no less tired. "Mi casa es su casa."

The smile grows slightly darker and slightly less for show. "Drink?" He sighs heavily. "Because you might need one. Or ten. Pretty sure I do."

Alexander

There had been a message left somewhere, it doesn’t really matter where. But it was a request to meet Kalen, and it was somewhere new. New to Alex, anyway. Kalen had all kinds of places that he liked to hang around – that much Alex did know, even if he didn’t know where a lot of them were. He didn’t ask. He understood the need to keep certain things in life separate from each other, even with the occasional troublesome overlap. Things like having to call in the remains of corpses as some kind of serial killer, just to get the families some sort of closure. And, if they cared, the spirits.

There wasn’t much in the way of hints as to what they would be talking about, but when there’s a risk of someone intercepting messages then the less said is often for the better. So the only real way to find out is to arrive and talk and see what comes. So outside the house, in an area that Alex hadn’t really spent any great time exploring – it was always somewhere he passed through on the way elsewhere – a blue sports bike pulls off the road and onto a driveway. The sound of the engine fades away suddenly as the keys are removed, and the presumably male figure swings a leg over the bike to dismount. The helmet comes off and Alex takes a moment to look over the immediate neighbourhood. There were worse places to live.

He pulls off the gloves and tucks them into his helmet, before unzipping the jacket and heading towards the door. He knocks and waits until the familiar face of Kalen appears. But there’s some hesitation – none of the barely restrained movements that he’s used to. No... well, you can’t call them unexpected if you’ve gotten used to the way they’re offered, but no hugs from Kalen.

Alex steps in, shrugging out of the jacket and laying it over the back of the sofa. The helmet gets set on the floor just behind it. And, just as most people do, Alex takes a look around. More out of curiosity than anything else. The furnishings are, in some ways, what Alex would have expected Kalen to choose. Old, expensive, impressive.

“That sounds ominous. Either you have the end of the world in your basement, given the way you opened the door, or you’re about to tell me it arrives next Thursday. I’ll go for coffee, for now. Thanks.”

Kalen

"No," Kalen says quietly. "At least on your first guess. The basement has a bar and a pool table and a bunch of storage and a panic room." Kalen says this as though those things all belong in basements. "As to the second-" There is a second of contact as Kalen walks past Alexander into the kitchen, though neither of them really needs the hand Kalen rests against him to avoid colliding with each other.

"Probably not so soon as Thursday." He takes advantage of a moment not looking at Alexander and not really in easy to ask, "You remember when I was in that coma? That particular intelligence has...transcended at least some of its bounds. Also, one of the parts of it is here. But not in a mindscape or a computer program. He's a Mage."

Kalen tries to focus more on making coffee than on what he is saying. Tries to pay attention to setting water up to boil and measuring coffee instead of what Denver was like after everyone was dead. The hollow chantry. The husk of the Node. Sid taking the only way that they had out and abandoning them. It might be easier if that way out hadn't been, at that moment a twelve-year-old girl and was not now a slightly older Mage working with...Technocrats. Former Technocrats. Tradition Mages.

"And he's trying to reform the Technocracy. Which is apparently about as fucked up in its politics and its cohesion as the Tradition Council right now. But...whatever we do about this mess, I doubt that the world ends, at least because of this, so soon as Thursday."

Alexander

Alex follows Kalen through to the kitchen, not pulling away at the casual contact. He isn’t against physical contact, not in the way some of the others were. But there were certain boundaries. He wouldn’t kiss Sera. When he’s withdrawn, he doesn’t want to be touched. He wouldn’t particularly welcome contact from people he’s only just met. Assuming they wanted to get close enough to the heart of the comet to touch it, anyway. He continues the casual survey of the house – the home? – on the way through to the kitchen.

In a more familiar place, he might help Kalen to get the coffee ready. But this is a new place, and he doesn’t know where anything is. That, and it seems as if the simple motions are aids for Kalen to get his thought in order. Instead he rests back against the corner of the counter and watches.

“Yeah, I remember. I.. Wait, what? There’s a computer program walking around in a body somewhere? How is that even possible? Is he some kind of robot?” Alex shakes his head, lost once again in just what Awakened and their creations are capable of. “Wait, doesn’t matter. Right? Didn’t Elijah start poking around in the wrong places and nearly ended up landing the Union on top of us? We already know that they’re starting to pay more attention to the city, and we have this guy prodding them with a stick to find the friendly ones?”

“Great. Fucking wonderful. So we’ve got until Saturday then.”

Kalen

"It's a bit more complicated than that, though I don't have most of those specifics. I haven't gotten to meet the people he's working with yet and I...I might know someone who can tell me more about one of them, but I'm going to have to go meet him." Out of things to do while the coffee brews in the press, Kalen leans into the counter. Close to Alexander, though he doesn't flop against him. "I could do with spiritual counseling right now anyway."

Kalen sighs heavily and looks up at Alexander. "I've fought the Technocracy before. We've played this war out once.

"We need some way other than blood to end it. It's...the more dangerous thing. I think it's the right one. If-" Kalen frowns a little and then reaches out for Alexander again, resting a hand on his arm. "If it's a thing you can't or won't do with me, I understand. But I'm going to meet with them. And if there is a chance to stop this before we nearly destroy everything again, with or without you, I will take it." His expression stays still, difficult to read, but if Alexander hasn't pulled away from him he can feel little tremors in the hand resting against him.

"There's nothing else I can do." And then he waits, because he cannot, not at this moment, bear to ask if he has ruined everything.

Alexander

“All anyone has told me since I found out about the Union is that they’re dangerous. Not to be trusted. That we’re all uncontrolled reality deviants that need to be killed, controlled or converted. I’m failing to see the happy, fluffy side of these guys that might be in the slightest way inclined to find a way other than through blood.”

Alex sighs, more out of frustration than anything. “Do you even know if you can trust this guy? Are you sure it’s really the program you met? Not some Union construct designed to drag you out into the open? It does seem awfully convenient that rumours start surfacing about their return and, hey!, look!, your new best friend is here to give you some dire warning and wants to take you along to see a group of people you’ve not met, have no reason to trust, and no reason to believe will do anything other than bundle you into the back of a black car, never to be seen again.”

Alex isn’t pulling away. Instead, he rests a hand of his own on Kalen’s. “I really, really don’t like this.”

Kalen

"It's not my favorite either. And I'm not sure. Not yet." Kalen takes a deep breath. "One of the people with him is a Mage who left the Technocracy and joined the Chorus. I'm flying to Santiago. I'm going to see what Ramon can tell me. And then I will meet them, and I will see what I think."

Kalen leans into Alexander's side, now that he has apparently calmed down enough for that. "I never told you the long version of how I met Kelsey. I dreamed about it first. The way it would have happened if I hadn't known. So...I got all bulletproof and went about my day. Stopped off for coffee, because I was exhausted. I'm standing in line, and also in line, just in front of me, is a man I'm relatively sure might be a Technocrat. So he looks back at me and we are both trying to figure out what we are going to do, standing here in this coffee shop, about having just encountered each other.

"So. Before we get there, I see the people I remembered taking the place hostage. There are two of them. I can hardly move, both because this was before I could really walk and because this was shortly after I woke up from that mindscape. I took the chance that he was more concerned about the threat gunfire posed to all the people in that place, because he could have gone for a weapon. He could have tried to shoot me. He had a gun. I know that.

"And so, I warned him. And then I ran for where they'd hidden the shotgun. Diffused that whole situation. He was there. Ready to fire. He could have done it in the middle of all that. Claimed he hit me by accident. It would have been the perfect cover. But we resolved that with no one getting shot.

"I waited for someone to come after me. I didn't go to the chantry. I was careful about being followed. I never found anyone following me. No one ever came." Kalen lets his head rest against Alexander's shoulder. "I think he had a choice too, and I think he let me go. I don't know if he could have caught me, but I don't think he ever tried.

"I don't think we hear about that. Because in a relationship marked so dramatically by aggression, there is almost no chance to interact and show anything else. There is the change to fight, and there is the chance to choose not to fight. But there is very little room in this relationship to send an olive branch or a basket of oranges and indicate the chance to take another option than violence or avoidance.

"Maybe there isn't one. But I can't not try to find it. If we try, and if this doesn't seem like a viable option, I can let it go. But I cannot refuse to try at all."

Alexander

“Or he was too concerned about the other men shooting him in the back. Or he thought he didn’t have much chance to pull it off with your shield up. Or he was hit by a bus on the way back to base. Or he didn’t think you were worth the risk of a bloodbath of Sleepers. Or that what’s going on now isn’t actually the result of your being followed. I’m not going to deny the potential that there was some reason why you weren’t shot, or captured, or tracked that didn’t involve incompetence or capacity or other flukes of random chance.

“But I haven’t heard a single good thing about these guys. And yes, I know, that is all I have to go on. But when that’s all you hear? That’s a hard message to ignore.”

Alexander knocks his own head against Kalen’s, sighing and sagging a little. He already knows where things are likely to head, with or without him. And Kalen’s chances? Would be somewhat higher if he wasn’t alone.

“Just for the record, I think this is an exceptionally bad idea. And I reserve the right to tell you ‘I told you so’ if we survive it all turning to crap. But if you think there’s the possibility that this might work out? Hell, you said the same with the vampires and that didn’t turn out… entirely awful. So if you think this is something that needs doing, I’ll see what I can do to help. Just promise me that you’re going to everything you can to make sure that this isn’t some ridiculously convoluted plot designed to wipe the city clean of reality deviants. And I’m really not sure I trust this contact of yours as far as I can throw this house. But… do what you’ve got to do.”

Kalen

Kalen laughs a little. "Just for the record, I wish I had better options. I have what I have. Which is people who seem unable to conceptually understand a truth beyond that we have the chance to be better than what we have been. We could have a world where so much of the horror we have now is unnecessary. I know better than to expect a perfect utopia, the same way I know better than to expect to live long enough see whatever form it takes.

"It doesn't have to be perfect. It doesn't have to be for me. It just has to be better. That's all I want."

Kalen sighs heavily and pushes reluctantly away from Alexander. "Let's not overbrew your coffee any more than we already have." He presses the filter down slowly and grabs a mug from one of the cabinets. "Probably," he says, "We have until at least the Tuesday after next for the end of the world.

"And I promise. I want this to be real. I do. But I'm still checking it out. And Grace and Ian are...well...cautiously willing to consider this. They met Atreyu with me. I...did not know it was going to turn into this. I'm not sure what's going on. I'm not sure what that artificial intelligence getting loose means. I don't...I don't really know anything except that this is much bigger than me, and whatever I've trained for, whatever I've already accomplished...I am fucking terrified.

"Less for me. I made peace with my death years ago. More for you. All of you. If I'm wrong. If I'm right but I'm not strong enough. I never thought I would be here. I never thought I would have to make these choices. I know I'm not making them alone, but I always expected, when we spoke of these moments, that I would taking the orders of the people who stood here."

Alexander

“Well I guess when the options you have are both awful, you’ve got to make the best of them that you can. Unless you suddenly fancy moving to another city. Although I can’t say I really want to go through all that again. I was starting to like the place, even with all of its problems, vampires, corrupt spirits, and who knows what else lurking.

“Does anyone else know what’s going on? Do you know if these guys have been in contact with any of the Traditions? Assuming that they would be prepared to listen.” In a war lasting as long as the one between the Traditions and the Union, it’s almost to be expected that knee-jerk reactions would lead the way more than considered thought.

“Artificial intelligence isn’t really something I understand, but don’t they run under a set of rules? Three laws, or something? What if Atreyu isn’t bound by those rules any more, and decides the best thing to do is wipe both side of the war out by aggravating what little peace there is? Or how about if it was sent out into the world to get revenge for what the Union did to their new universe? I don’t think I trust the guy any more than I’d trust someone who walked in saying that they’re Union and are offering free hugs.”

Kalen

"I was there with her," Kalen says softly. "She and Ian and I held hands and waited for the world to end. She looks different now. But...whoever or whatever that is now, I know that they are brave and I know...I don't know. It's hard to explain. I think we can trust him. Maybe he will fail. But I don't think he's lying.

"I'm not sure who else they've spoken to. We'll have a chance to meet them. We can ask more then." He pours coffee into Alexander's mug and slides it across the counter toward him.

"You want to return to where there are couches and whiskey?"

Alexander

“I’m still not convinced. You’ve got something that, let’s face it, isn’t natural. Who knows how he, or she, or it for all we know, reacts and things. Or believes. Maybe he does want to try to avoid a flare up of the war. Or maybe it thinks that this planet would be better off without any of us and wants a rerun of whatever the hell it was that happened in the ‘90s.”

Kalen pushes the mug towards Alex. Alex picks it up and swirls it round, watching the motion of the fluid without any movement to start drinking it.

“Or maybe pie. Or just to escape the city for a while. Not that there’s any shortage of dangerous strange things in the wilds, but at least they don’t tend to be quite so… political.”

Kalen

"I am entirely willing to go hang out on a mountain with pie and try very hard not to talk about politics. I like stars. Also, pie." Kalen smiles a little. "Even willing to risk marshmallows. Valentine's day turned out okay and there were marshmallows." He heads back into the living room and flops onto one side of the couch.

"But you have to promise to protect me if Arionna shows up, because I don't think I can handle that right now."

Alexander

“Stars are good. If we head west far enough, you lose the light from the city and you see so much more of the sky. I’m game if you are.” He finally takes a sip of the coffee. It’s drinkable buy, hey – cop – cold instant coffee is drinkable.

“I think I’ve missed something, what’s up with Arionna.” The edge of a smile surfaces. “She was quite keen on hiking some time, we could pick her up if you’re worries about getting away from the stress for too long.”

Kalen

"She just likes to torment me. Particularly since she discovered I was Christian." Kalen laughs. "Intolerant people like me, you see, are the reason for the witch trials. Terrible, closed-minded, vicious people like me just love to persecute." There is a little twitch at the corner of his mouth. "You know how I am, Alce...."

"Should I be grabbing blankets and more coffee instead of being here? I'm sure that we can find a pie somewhere in Denver. Or three. And marshmallows. Though possibly not the good flavored ones. Might have to settle for the bagged ones."

Alexander

“Ah, that sounds familiar. Because you were there setting fire to the straw under her great-something-grandmother, right? Or because you’re in some was responsible for something that happened a ridiculously long time before your parents were alive. Unless you’re actually a lot older than you look. Which would explain the money you have to play with, if you’re selling the secret to eternal youth. I’m assuming it doesn’t involve burning witches?”

“Blankets and coffee are good. And food. We can swing by a supermarket on the way out, if you don’t mind slumming it a bit. Grab some sausages to roast, maybe.”

Alex gently digs an elbow into Kalen’s side. “You’re not luring me into the middle of nowhere to burn me for your next century of youth, are you? Just so I know not to wear anything too warm.”

Kalen

"Mmmmmmm...." Kalen says. "Also, apparently, I don't like assertive women. Whatever you do, don't call up Alyssa and tell her." He pushes up to his feet with a sigh.

"Okay. Blankets. Coffee. Food." Kalen smiles a little. "And no, no sacrificing you for eternal youth. You'll probably still be entirely underdressed and fine, while I am buried under a small mountain of blankets and shivering. Still. I am learning to like the outside. Trees. They're a new thing for me, outside of the mostly anemic and relatively solitary ones you find in the city."

Alexander

Alexander stops moving for a few moment, considering what would happen if Ari and Alyssa ever met. It was probably for the best that Alyssa was out of town at the moment. Certainly best for the neighborhood that they might have bumped into each other in. “I think I can wait until New Year to see those kinds of fireworks.”

“If you’re that against the cold, I guess you’re driving. Unless you really want to perch on the back of a bike freezing the less important parts of your anatomy off, but then where would we keep the munchies? Next you’ll be telling me that you don’t like the sound of owls in the night.”

Kalen

"One of these days," Kalen says with a smile, "I'll have to try this letting you drive. But...not tonight. Still. It seems like yet another reason for people to make the damnedest assumptions about our relationship. Though, admittedly, Serafine's assumption that I was dating Gallowglass may be difficult to outdo in the amusement department." He wanders toward a closet to grab a small stack of blankets.

"Owls are the things that make that whooooooo sound, right? Like ghosts, but alive?"

Alexander

“What, don’t you trust my driving? It’s not like I go that far over the speed limit. Not where there are cameras and patrols anyway.”

Kalen and Gallowglass. Gallowglass? “Wait. The guy. With the glasses. And… Damn, I’d completely forgotten about him. What’s he up to these days?” The memory is strangely fuzzy. Something about a shop. And a weasel?

“Yeah, the whooo things. Unless you mean the howling thing. Those tend to be wolves and are a bit less friendly. Owls just tend to fall asleep and fall off the branch. Anyway, define alive? If a bit of code running in a compute can be alive, why can’t a spirit? The ghost might have more free will.”

The last of the coffee gets drunk in one, swift go and the empty mug left in the sink.

Kalen

"Wolves are, what, aooo-ooooo?" Following what may be the least enthusiastic howl attempt on record, Kalen reaches out to squeeze Alexander's shoulder. "Did I mention before, that I really missed you?"

"Gallowglass is off on business. He's alright. C'mon. Let's get out of here before I throw my keys at you and force you to drive so I can take a nap. We are getting so much more coffee on our way out of the city." That threat doesn't seem very serious.

Thursday, 1 October 2015

Neiiigh?

Kiara Woolfe

[Yay, people! I'm going to go type something.]

Kiara Woolfe

Fall was settling comfortably into Denver.

The trees beginning to shake off their leaves and leaving drying shells scattered over footpaths and manicured lawns the city over; the mountains turning brilliant shades of honey-gold and deep crimson red on the horizon and the weather starting to subtly shift; breezes bearing the intention of cooler days to come. Thursday afternoon in the city limits had dwindled into a pleasant, breezy affair. It was still warm enough for layers to be disguarded under the warmth of the sun, clouds scattering across its path.

Still the weather for lounging on the grassy expanses Washington Park had to offer; littered as they were of recent days with curling, crumbling leaves. You still found the poets with their heads buried in books, stretched out on the ground with their shoes beside them; feet bare to the world. Still the mothers pushing strollers along the winding pathways, dogs chasing balls and the glinting promise of the lake, birds diving and settling on its surface to glide along, shaking their feathers and dipping their faces into the water.

The face of a city that changed and within it - the ones who saw the other side. The shadows that fell, the noises and the ugly.

Kiara Woolfe wasn't to be found lounging on the grass as late afternoon sunlight slanted across it, she was on one of the park's many basketball courts, seated on the side beside a chainlink fence, tying her dark hair back, a basketball housed between her feet. She was the sole occupant of the court aside from a lone bird; perched high on the fence, watching her progress with tiny, anticipatory movements of its head. When she rose, scooping up the ball, it startled and took flight with a rustle of feathers.

Kiara moved out onto the court, the sound of the ball echoing as she began a slow circuit.

Alexander

[Awareness?]

Dice: 5 d10 TN6 (1, 5, 7, 9, 10) ( success x 3 )

Grace

[Awareness?]

Dice: 5 d10 TN6 (3, 7, 9, 10, 10) ( success x 4 )

Grace

This place, man. This fucking place.

Last time Grace was here it was to inspect the remains of a woman-chimera with four arms who'd put a good friend into... let's say mental distress. Almost getting your face ripped off will do that to you.

Then, there was everything that happened after.

She doesn't even really know why she's here, other than perhaps something in her that wants to show the monsters who's boss. Don't show your face here anymore, right? We live here too, and we like this park.

Well, territorial, tribal ideology never sit well with Grace. She'll make an exception for dead things who like to reshape people into horrified and horrifying monsters. Call it the line beyond which Grace Evans will actually categorize a person.

Anyway, it's with that thought in mind that she's in the park today, dressed in her jeans and bite-proof grey turtleneck jacket, paying a great deal of attention to what's going on around her (while simultaneously shoving her head in her cell phone and walking). She hears the basketball. She feels the pulse of the world. She looks up, and starts toward the court.

Kiara Woolfe

[Awareness, perhaps?]

Dice: 6 d10 TN6 (5, 6, 6, 8, 10, 10) ( success x 5 )

Kiara Woolfe

[All of time and space is the Verbena's.]

Alexander

[Because I need to know if he fluffs or not for the post... Arete: Spirit 1, Entropy 1. Sensing the gauntlet, looking for weakness. Coincidental, TN4. +1 for trying something new, -1 for taking his time.]

Dice: 1 d10 TN4 (9) ( success x 2 ) [WP]

Kiara Woolfe

[Playin' some ball. Dex + Ath.]

Dice: 6 d10 TN6 (3, 3, 4, 8, 9, 10) ( success x 3 )

Alexander

Kiara may not have been drawn here to lounge on the grass, but Alexander? Well, that’s exactly where he can be found. Not so far away, at a familiar spot near the lake, he’s lying on the grass. It’s not particularly uncommon to find him here, although his visits maybe aren’t quite as frequent as they used to be. There’s still hope in the visits, though. Hope that he’ll meet someone again, hopefully in better circumstances. Until he learns how to do more than look into the spirit world, this is the best chance he has for that meeting.

He seems to be watching the lake, but that isn’t really where his attention is at the moment. The bottle of water that he’s slowly turning over and over in his hand might, to those who know him and how he Works, give the hint that his attention is elsewhere. There’s also a frigid, frozen chill in the air around him as his will bends reality just a little. Not enough to do anything obvious to those who aren’t attuned to such things. Just enough to deepen his awareness of the border of this world and its mirror. Scratching at the boundaries, looking for areas of strength and weakness.

He’s there for a while before other sensations start to make their selves known. The pulse of the world not so far away. The razor edge of fluttering wings. The gathering of Awakened. Letting go of the effect, he pushes up from the grass and heads towards the basketball court to meet the familiar – and not as familiar – presences.

Dan

Tall guy in black skinny jeans, a fitted flannel shirt open over a t-shirt. Blond hair, blond beard, hints of tattooes flashing at cuffs and collar like the evidence of ink on a scrivener's hand. He has a battered leather bag slung across his tall, spare frame and is walking with a long-haired brunette in a flowing, flowered skirt that billows in the wind. She, in turn, is walking this bright yellow-and-orange fixed gear bicycle along the path. Has a basket on the front and paperflowers woven into the weave.

He's smoking a cigarette. Well, maybe it's a cigarette, except she asks for a drag and he gives it to her while they stand at a cross-roads, looking not-at-all like park-people. He catches a glimpse of Grace or maybe of Kiara, though. Takes back the cigarette and touches the brunette's shoulder and says something low by way of farewell. She climbs on the bicycle, nevermind the way her skirt blows in the high plains wind, and keeps on going. He turns and lifts a hand toward - well, someone. Maybe a couple of someones. Maybe whoever will return it.

"Grace," Dan says, overtaking her with his long strides and lanky frame. Then, "Kiara," when they reach the basketball court. Listens to that peculiar ring of the ball against the court - elastic and resonant, all at once. Taut.
"Fancy a game of HORSE?"
Wry grin at Grace. Maybe a challenge.



River Vasquez

River doesn't know anyone here except Farrah. They haven't been to the park together but they have gone and gotten a new wardrobe. She's got a couple job applications tucked into her oversized purse and there she is, walking around the park with a pair of awfully high heels thrown into her purse so she can walk around and enjoy the feeling of the ground on her feet. It was starting to get cold, too. Or, at least, colder than the perpetually perfect San Diego.

Her hips swayed when she walked, exaggerated and like she was bopping along to some song that was playing in her head. The strut said it all: River was bouncing along to the Beegees Stayin' Alive. She doesn't really care where she's walking, just that she is walking and then this: she notices the sound of people on the basketball courts. She doesn't know who they are, but she is curious enough that she wouldn't mind seeing what tthey were doing.

A heel turn and redirection later, the dark-haired woman bops down the way to see people. She's got on yoga pants. Yoga pants and an oversized shirt and a sports bra that is more restrictive than a sportsbra has any right to be. No sir, nothing on River Vasquez was moving unless she damned well wanted it to.

And thus, the ball of sunshine bops over to the basketball courts.

Grace

"Neiiigh?" Grace says, flashes Dan a smile. "Oh, wait. That sounds like no. I mean, yes. Unless that means you want me to ride you, in which case -- no."

She quirks her head, though not at anything in particular. Maybe analyzing her own speech for its utter strangeness. "How do you play horse? Also, hi Kiara."

Hi, sunshine. Well, that's different. Grace turns away from the court, looks the new one up and down. There, a little tick of the head upwards, like 'hey'.

Kiara Woolfe

The brunette navigates the court at a slow jog, bouncing the ball between her hands. She's a lean creature, the Verbena, with finely shaped features and dark, expressive eyes. She feels a little like a fixed pulse to the world and a lot more like the first flush of exhilaration. Nature in perpetual motion, that's the sense Kiara Woolfe gives as she lobs the ball toward the ring and watches the neat arc it cuts through the air, watches it hit the ring and wobble inside.

There's a flash of teeth at that, a private (or so she believes in the moment) surge of satisfaction.

She's dressed as much for the occasion as the weather, the pagan, in a pair of soft grey sweatpants that are tied loosely at her hips; in a fitted shirt that adheres to the curve of her spine; her middrift is bear where it cuts off and the dark lines of a tattoo are visible, teased at the edges where the hem rises as she reclaims her ball and turns to sight the sensations creeping along her skin.

The bite of Alexander, the shifting, keen sensation of Grace. Others, too. Some Kiara can't instantly place, that has her pause. Raises a hand to cover her eyes and look across the rolling slope of a hill, beyond the fence and the dappling surface of the water. The ball is tucked under an arm and she's still in transit as Dan appears, as they're greeting her.

"Hey Grace, Dan." There's a flush of color in the Verbena's cheeks, it suits her alarmingly well. "Do something fancy, shoot for the hoop. Next in line has to copy you or create their own." She raises her eyebrows in Dan's direction, gently directs her ball his way with a dragging edge of a smile.

"You can lead us off if you want. Show us what you've got."

Dan

"I'm not one to insist on universalizing my own experiences," says Dan, and maybe he's smirking a bit behind the shadow of his beard, while also rather precisely pinching off the cherry of his cigarette(?) and then stomping the ember to ash beneath the heel of his Converse All-Stars. He's wearing them for fashion, not function. That smirk mingles with a vague, bemused grin. " - but, you've never played HORSE?"

A lift of his chin, wordlessly returning Kiara's greeting. Falls silent as she explains then game, then reaches out to take the basketball as Kiara passes it his way.

Those are musician's hands, not a ball handler's, but still. Can't be a lanky guy from middle-America without playing some basketball, someday, somewhere.

"You do a 'round, repeat the last shot. If you make it, great. If you miss it, you get a letter. Once you've spelled HORSE, you're out. Last person standing wins."

He takes a minute to lift his leather bag over his body and set it carefully aside, then gives the basketball a few experimental dribbles, hand-to-hand before shaping a drive toward the basket.

First shot is simple: a lay-up.

Dan

Dan retrieves the ball as it comes through the basket and passes it to Grace.

Dan

(Lay-ups are easy, dif 4 if you guys wanna roll!)

Alexander

Alexander wanders over with no great rush. There doesn’t seem to be any great disaster at this exact moment, nothing that needs to be rushed towards or away from. And let’s be honest here, he is more likely to be rushing towards it – partly in case anyone else is in danger, partly because he’d just want to know what was happening. Apparently he thinks the cat just got unlucky.

Yes, Alexander heads towards the court. He’s not dressed particularly differently from the others this afternoon. He wasn’t unfamiliar with colder climes, so the trousers favoured by the others are replaced by cargo shorts. The guy seems to like his pockets. Above that, a black sleeveless tshirt covered by a red flannel shirt, worn open and untucked and drifting vaguely in the breeze. Some walking boots and a rucksack, now shouldered, completed his attire for the moment. It wouldn’t be entirely surprising to find him with something tucked away for if the weather changes for the worse, though. He’s lived here long enough.

He pauses at the gate to the court to watch what’s happening, and to wait to be noticed. As if they wouldn’t have picked up on his approach any more than he picked up on their presence here. But he doesn’t want to distract anybody from their shot.

Kiara Woolfe

[I just like rolling to see how badly the dice roller crushes my dreams. Hup, hup. Lay up.]

Dice: 6 d10 TN4 (1, 3, 4, 4, 5, 10) ( success x 4 )

River Vasquez

[awareness: are these *gasp* unique people?]

Dice: 5 d10 TN6 (2, 3, 6, 7, 7) ( success x 3 )

River Vasquez

[and for you arcane 1 people]

Dice: 4 d10 TN6 (2, 9, 10, 10) ( success x 3 )

River Vasquez

She is bright, a literal brightness that comes with warmth, that comes with the first rays of the sun that come back and fight their way through the vestiges of winter. There's a sort of determination that comes with those first sprouts of life that poke through the snow, something that is intent on becoming more than just grass.

But the other woman acknowledges her, the one who doesn't quite ping on River's senses as well as one would imagine, but we digress. She runs her hands over the rail, looks back when she feels the pull of something frozen on her senses. She turns around, regards the other stranger in a sea of them. She smiles, something bright and relaxed.

"The game just started," she said in a voice that has a fair bit of an accent. More Cuba than United States, but very familiar with English.

Grace

Ooh. Game. Some sort of sportsball game. Right. Horse.

Grace bounces the ball on the court, eyes flitting to the cold spire of Alex, and she smiles at him. Then, it's time to earn her letter. Or not. Who knows, she might just do the thing right.

She walks up to the spot where Dan shot from, and peers up at the hoop.

"Well, I didn't spend a lot of time outside when I was a kid. Jumping chollas and oppressive heat will do that to you," Grace says, and she doesn't follow that up with 'oh yeah, and none of the other kids would play with me', but there is that too. She has people to play with now, so. What does it matter?

[Dex + Ath = copying Dan's layup!]

Dice: 4 d10 TN4 (1, 1, 7, 10) ( success x 2 )

Grace

Not bad, nope. Went through the hoop at least. Grace assumes that counts, and picks up the ball to throw it to Kiara.

Kiara Woolfe

There are days when Kiara feels acutely connected to the world around her. Feels the way every tiny hair on her body reacts to stimuli: the sun, the gentle, curling breeze, the brush of fingers, the rough give of her basketball. The awareness of others, like her, who were at once a part of and more to all of it. She feels it today, beneath the afternoon light. The prickle of her senses - a hand raising to cup the back of her neck and she twists in a slight, fluid motion to watch Alexander's approach.

The edge of her mouth retains that same smile she'd offered Dan not a few heartbeats ago.

"Hey," she's studying Alexander now, her dark eyes absorbing a hundred tiny details about the man she knew by sight, by sense, but barely at all. The frozen lake in winter. She gestures at his rucksack, resting over a shoulder. "Unburden yourself and come join the game. I'm ambitious enough to want to see how I rank against everyone, today." Her smile widens and a dimple flashes into a cheek. "It's the day for it."

Then, warmth. Inviting and bone deep.

She turns to River, inclines her head. Her hand falling away. "It has," agreement, consideration. "You're welcome to join too, if you want." This briefest tick of eyes over her figure and she turns back in time to catch the ball lobbed her way by Grace. She moves across to take up the other woman's place, canting a little smile sidelong as she does. "Not bad, Evans."

Then, her face adopts a slightly more focused expression, eyes on the hoop, her entire body sings with it. The anticipation of landing the shot. When she makes it, her shirt lifts enough to reveal the full design of that tattoo on her lower back, a spiraling shape with a line cut through it. It gives the impression of something vaguely oriental, some designation or belief inked into the pagan's skin.

Her shot sinks into the hoop neatly and Kiara makes a tiny hop-step of satisfaction.

Dan

They're all Special People, resonant, the signature of their magic charging the air around them so distinctly and assuredly. All Special except for the guy with the roughly worked head of blond hair and the wallet chain and on and on and on. Him? He's ordinary.

Gives Grace an ordinary little grin/smirk in response to her ellipses of understanding. Then gives her a few beats of applause when she makes the lay-up. Watches the ball as she passes it to Kiara then his eyes cut back to Grace as she walks or maybe-jogs across the court and out of Kiara's way. Drops his mouth to Grace's ear and mutters something.

(Muttered: "It's all physics, Grace.")

Which he knows would never make sense to Sera, who does not believe in physics. He figures Grace does, though.

"Game just started," the guy affirms to River, either in echo of overlay of Kiara's statement. "No one has an H yet." Is: retrieving the ball from beneath the basket or maybe wherever it rolled after that shot - bending low and scooping it up with long-fingered and rather deft hands, tossing it back and forth like he's deciding whether or where to go when his phone rings.

Or rather: his phone starts playing the opening riff to The Breeders' Cannonball.

Which means: his phone rings.

He has the presence of mind to toss the ball in Alexander's direction (hey! join the game!) even as he's reaching for the phone in his back pocket. Pulling it out, putting it to his ear. Maybe he gives them a gotta get this but isn't that obvious?

"Hey. Where the fuck are you?" He might be overheard saying as he walks off, pausing only long enough to grab the bag he dropped off when he stepped onto the court.

Alexander

[Catch! Dex/Ath]

Dice: 6 d10 TN6 (2, 3, 3, 3, 4, 9) ( success x 1 )

Alexander

When Grace smiles, Alex offers one of his own along with a small wave. It’s a momentary thing before she turns with the ball and takes her shot. A shot which flies straight towards the hoop and sinks in without any great drama. A short round of applause comes from the man leaning against the gate.

“Are you sure you’re not really some kind of hustler? Trying to persuade us just how bad at this you are before you come up with ways to make it more interesting?” He’s smiling as he makes the joke – and it is a joke – to take any sting out of the jibing.

River gets some amount of attention. More attention than the game gets, really. As if the standard weirdness around the city wasn’t enough, there was also the prospect of Union become more of a feature. And look, here’s a complete stranger who just happens to wander up to them. Hmm.

The game’s just starting, and there’s an invitation to join. Hell, there’s even a ball flying in his direction just as he’s shrugging the back off of his shoulder. There’s a flurried movement as he brings a hand up to block the ball from hitting him while trying to unravel his shirt from the bag strap, but he gets free just in time to grab the ball with both hands after a near fumble.

Bag sat just inside the gate, Alexander bounces the ball towards the stranger. “After you.” If she does have anything untoward planned, there would be four-now-three of them against one. But that doesn’t necessarily mean that he relaxes just yet. Not until he gets a better feel for her.

Ahh, paranoia.

River Vasquez

Kiara says she can join, and her face lights up. The young woman, who seems to be very much averse to the idea of shoes, takes the after you offered by Alexander and goes on in. She walks a little more head on, purse soon enough ditched at some location by the fence. She takes a few steps away, holds her hand out as if she was beckoning the purse to stay. Purses tended to get up and walk away in parks, you know, especially if you didn't keep an eye on them. She straightens out her oversized tee shirt (white. She's got a black bra under it but she doesn't seem to care. It matches the yogapants).

Her nails are painted dark blue.

"Thanks," she tells Alexander, and goes on to introduce herself to other people. Offers a hand to Kiara, "I'm River."

Like the water feature. Or the chick from Firefly. She gets both pretty regularly.

Grace

Grace bows for Alex, an overly-dramatic affair. However, the ball gets left without an owner, floundering around outside the court into the grass. So, she chases after it, kicks it back onto the court, in the general direction of the new girl (What, you're not supposed to kick basketballs? Whatever.)

The newcomer is named River. Interesting name. Better than Grace, for sure.

"I'm no hustler. I can't play sportsball for anything. Really."

Kiara Woolfe

Dan's phone starts to ring and he's offering the universal excuse me glances that receive a little nod from the Verbena as she moves out of the road of the approaching newcomer. "Tell Sera I said hey," is the brunette's called farewell, an absent, easy parting before Alexander is issuing accusations about hustling and Kiara's eyes, bright and playful match her glib tone.

"I'm shocked and appalled at the accusation. Now put the ball through the hoop or wear your scarlet letter." There are times when Kiara's native roots emerge, that direct, challenging New Yorker energy thrums from her as she smiles in Alexander's direction, then:

I'm River.

The stranger offers a hand, Kiara's focus shifts, down to that hand and her own clasps it. They're warm, the pagan's. Her fingers long and finely shaped, the nails carefully manicured into short, painted ends that are coated in the faintest pink shade. "Kiara. That's Grace and Alexander and that was Dan." This with a gesture at the tattooed man's departing figure.

"And you're up, River. Show us what you've got."

Alexander

“You protest too much! No doubt you’re forgetting to mention that you used to be captain of the high school team.” The smile is still there, if a little more guarded. It’s not Grace, though. There’s still warmth there for her. It’s something – someone – else. Someone apparently called River.

There’s a small nod at the mention of his name. Thankfully given correctly, to this stranger. He can be Alex. To Grace, he is. To Kiara, who he doesn’t really know yet, and to River who he’s only just met? There’s some formality in how he prefers to be introduced and in how he prefers to keep the relationship. Call it a quirk of upbringing. Duzen.

For now, Alexander remains propped up against the gate post and watches. Although, again, he’s watching River more than the actual game. Although he is aware of it enough to follow what’s going on.

River Vasquez

[dex+athletics: allyoop!]

Dice: 5 d10 TN4 (1, 2, 2, 3, 8) ( success x 1 )

River Vasquez

Once she has the ball, she looks awkwardly at the net. Bounces it a few times and looks downt o roll up her pants legs so she can actually run and dribble with the ball and, you know, actually performa layup without falling flat on her face. The hispanic woman takes a few steps, gets her run up and then tries to make the shot into the basket.

She was not tyhe captain of her team in high school. She wasn't the captain of her team in anything, in all actuality, and she has her run up, the shot, and the basked ball bounces off the rim a couple times, wiggles and she stops and looks up with quiet schoolgirl terror at the prospect of being the first person to get a letter in the game.

"Nononononono-" aaaaaaand in the net, "yessssss!"

Hands in the air. The young woman goes to pick up the ball and holds it out to whomever is willing to take it.

"I'm better at soccer," she admits.

Grace

Grace chuckles a bit at Alex. Let's just say that if she'd known that he liked to keep it formal with his name, he'd be known as 'Al' to her from then on.

She waves at River, little smile. Not her usual exuberant 'I know you're a Mage! Let's be friends!' approach, but they are in the park after all. There's Technocrats in the city, she knows. This might as well be 2 red flags for poor River.

At least River doesn't seem to be a horrorbeast. You can never really tell...

Kiara Woolfe

There's conversations Kiara needs to have with these people. Not strictly are they ones she wants to have, but - there's an awareness there, just beneath the surface as they laugh and throw a ball around and behave, outwardly, just like any other group of young people in a park on a picturesque fall afternoon - there's things she knows that she thinks they have a right to.

The Union closing on their ranks and Alexander is savvy enough to it to keep an eye on River, who they don't know but feels like the unshakable radiance of the dawn. Kiara too, at a point, at another, watches the Hispanic female with a certain consideration. A capture through half veiled lashes, the approximation of how far the edge of the fence is; what cover the benches that dot the edge of the court would offer.

She'd walked the wilds of the Umbra not a handful of days ago but for all of that, she can't look at this stranger and know, unflinchingly, whether she was to be trusted or not.

Still, in the now, in the moment, River connects with the goal post; the ball dancing on a razor's edge around the rim before it tucks down and obediently drops through it. The precision is unsure though, it wobbles as it hits the ground and is reclaimed; Kiara, a hand at her waist, the other pushing the fall of dark bangs over her brow, walks forward to accept it.

Dribbles it a few times. "It's all in the stance. Your body translates the intention. Feet. Back. Wrist. Ball." She catches it up into her hands, the Verbena, her chin lifting a touch. "Slam dunk." She looks at River for a little lingering second, then her eyes tick to Grace. "Grace, you're up.

Time to make the shot your own."

Alexander

[Per+Alert - do we notice Kiara's checking out the lay of the land?]

Dice: 6 d10 TN6 (1, 3, 5, 7, 7, 9) ( success x 3 )

Alexander

Of all the times for an Awakened to be arriving in the city, this probably wasn’t one of the most auspicious. There were strange things going on outside the city – things that he still needed to look more into. The Union had already been spotted in the city – not by him, but by someone he trusted enough to believe. It had been a while since things had settled down to what could be called remotely normal. And who the hell knew when another cannibal, Fallen, Marauder, or some other form of danger would arrive to plague their lives again.

Watching the women move around the court, Alexander takes a breath and tries to mask the sigh that follows. It wasn’t a good way to live, considering that newcomers could be the next incarnation of city-threatening evil. But it wasn’t safe to assume the best. Not any more. Not if they wanted to survive.

Alexander wonders for a moment if the Verbena was guessing what was passing through his mind as she skips past him and brings Grace’s turn to shoot around again. His gaze passes over Kiara and there’s a recognition that she isn’t quite as relaxed as she might first appear. Her gaze wanders too, scanning the court. Something practiced? Perhaps.

For now, though? He’s content to keep watching. And idly wonder if he should start carrying a weapon off duty too.

River Vasquez

River, for her part, is clueless. She doesn't know what's gone on in this city, only the climate that she left in San Diego. Something balmy with things lurking under the surface. She doesn't know what is going on, doesn't know that the city has seen its fair share of viruses and marauders and cannibal killers- though if she did she might get sick. Though, if she did, she might understand. There's a lot of variables to have.

And River Vasquez is not offering any explanation. River Vasquez, for her part, is content to listen and take in people. Her attention stays with Kiara, takes in what she has to say about shooting a decent basket and, for what it was worth, the dark-haired woman took it at face value. They're just strangers who offered to let her play at the park with them.

They're strangers that all have something very strange in common, but at the end of the day, they're strangers.

"Your body is just an extension of the shot," she says, waits for some kind of confirmation that she understood what the woman was saying, turned her attention to Grace to see what she had up her sleeve.

For her part she seems shy, River. Doesn't seem like she's ready to dive in head first. Doesn't seem like she's going to make the first move with these people. There's a reason they're not talking about that elephant in the room, and for her part she was trying to piece out the why without having to think on it too hard.

Grace

Oh, shit.

Make it her own? Yeah, that's how the game is supposed to go, right? You get trickier...

She takes the ball from its bouncing trajectory, and ponders. Then, she lifts a leg, and thus unbalanced, tries to do that layup again.

"Then, my shot is wobbly-assed," she says.

[Diff 6 'cause one foot!]

Dice: 4 d10 TN6 (2, 5, 8, 10) ( success x 2 )

Grace

Wobbly, but she sustains it. Huzzah! And upon capturing her wayward ball, throws it to Kiara.

Kiara Woolfe

[She shoots and ... ]

Dice: 6 d10 TN6 (1, 2, 3, 3, 5, 10) ( success x 1 )

Kiara Woolfe

[Ooh, just.]

Kiara Woolfe

Alexander is a sentry at the gate.

He catches the dark haired Verbena assessing the risks contained about their location with eyes trained to do exactly that; glimpse the nuances of things. See the details that offered tells about a potential threat's next movement. The tick of a eye, the flex of a finger. The tension laced across shoulders. For the most part, Kiara seems at her ease but that tension is there, just beneath the surface.

Scratched aside, there's a particular care to the way she holds herself, with and without the ball in hand.

Weight balanced on her heels, her body never entirely still, moving in a gentle motion that seemed rhythmic, almost idle but for the fact it kept her muscles looser; kept her in a state of readiness for sudden action. She bends forward when Grace lines up her shot, bracing her hands on her knees, smiling with the faintest trace of competitive spark.

"Wobbly assed shot, coming up," She declares, catching the ball when Grace throws it her way. Lifting up a foot and closing one of her eyes.

She does, teeter a little.

It throws her aim a notch to one side and Kiara sets her foot down as the ball collides with the backboard heavily, then rebounds through the hoop, rolling back toward her. She jogs forward to collect it and turns, raising her eyebrows at Alexander.

"C'mon Alexander. You have to try at least one shot. Peer pressure."

Alexander

[For when he shoots...]

Dice: 6 d10 TN6 (1, 3, 3, 5, 7, 10) ( success x 2 )

Alexander

He considers it for a moment. The ball has bounced around the group of women but, apart from the brief contact when Dan was leaving, he hasn’t really been involved in the game. He had been content to watch. The game. River. Both.

He can be playful, though, and it is a temptation to join in. Kiara seems to be comfortable enough to pull him in from his watchful position – although admittedly he is the weakest magically of all of them there, but being tackled to the ground can be somewhat disruptive to concentration – so he relents. Maybe for the one shot, maybe for more. Only time would tell.

So he pushes off from the gatepost and holds his hands up, ready to receive the ball from Kiara. Expecting it this time, he easily catches it.

“Wobbly assed, gotcha.” Walking onto the court, he lifts up one leg and closes an eye. Just as Kiara had. The ball flies true and, bouncing off the backboard, sinks through the net.



River Vasquez

[Can I make this shot?]

Dice: 5 d10 TN6 (2, 2, 7, 9, 10) ( success x 3 )

River Vasquez

She claps. Grant you, she claps after every shot, but this time it is mindful applause at what she presumed was probably a pretty hard shot. It's easy to wobble when you don't mean to wobble, but being wobbly on cue is an artform. There is the moment of applause, that passes as quickly as it goes and she does laugh.

"I have been outclassed," she announces. When the ball comes to her she looks at the little orange thing like she might want to relent and take her letter. She shakes her head, because what was the purpose of being endowed with the ability to shape the world if you're going to let a little nervousness at a basketball game define you, "I think I should put my shoes back on at some point, maybe."

But it would seem that being wobbly and off-center is really the way that River was born to play basketball and when she shoots, Miss Sunshine closes one eye and looks like she might fall over for a second but true to form the ball swishes through the net without any real problem.

Grace

Why'd Dan have to make her go first? Now she has to think of something else weird to do.

She takes up the ball, stands on one foot, and closes her eyes. Is that the way it's supposed to go? You keep adding challenges? Or... who knows. She's never played this game.

"Eyes closed. Blind shot. Here goes..."

[Diff 8, cause wobbly and blind!]

Dice: 4 d10 TN8 (1, 2, 3, 6) ( botch x 1 )

Grace

[lol]

Kiara Woolfe

[The dice gods take their first victim.]

Kiara Woolfe

[This might turn into a comedy routine. Blind shot!]

Dice: 6 d10 TN8 (1, 1, 3, 3, 7, 8) ( success x 1 )

Grace

There's just something about the lobbing of the ball that destablilzes her further, and then -- with windmilling arms -- she's down. Okay, so that's an H for Grace. It's also a trip to the ground. It's a good thing she's in jeans and a toughened jacket, right? Otherwise skinned knees might have happened.

Kiara Woolfe

The Verbena is smiling when Alexander accepts her offer. He comes closer and there's a sudden whiplash to the sensations pooling in their midst. The surge of life waging war against the settling freeze of the winter and yet, for all that, she seems genuinely pleased when he makes the shot. There's a low whistle of appreciation and then soft applause for the newcomer.

"Nice."

A beat, as Grace deliberates on a new set up, Kiara's dark eyes shifting to trace over River. She turns her body a little, arms over her chest, hip cocked out. "So, River, been in Denver long?" The afternoon is wearing down, the sun diminishing slowly across the lawn; dipping behind the trees in the distance and sending dappling light dancing across the court; stretching their shadows into long, ambiguous shapes. She asks it lightly enough, the brunette, for it to seem, on the surface, perfectly straight forward.

Polite conversation between relative strangers. Polite, but for the knowledge that lay threaded beneath it. All the unspokens that may, when Grace's shot sends her toppling to the ground, be temporarily forgotten. Kiara makes a quiet noise that is somewhere between amusement and surprise - "You okay, Grace?" - as she reaches to snag the ball when it bounces along to rest near her feet, and the dismantled Disciple. According to the rules, Kiara can create (and shoot) whatever kind of shot she desires but she adopts a similar stance to the other woman and lifts the ball in her hands.

And goes still.

The pagan breathes out, her eyes closing. She lifts her opposing foot up and, after a beat - throws the ball. It's not an altogether elegant shot; the slice of it across the court is jagged but it catches at the back of the board soundly and wobbles; dropping through.

Alexander

[Crap, didn’t realise it was my go – sorry!]

Alexander winces a little as Grace goes splatting onto the ground after adding another twist to the shot. But she seems to be ok, everything appears to still be working and moving the way it should. Except, perhaps, her pride. But that heals. He does make a horse-whinney sound, masking it under a cough. “You ok?” He moves over and reaches out, offering a hand to help her up.

The merging and meshing of the many and varied resonances could well be jarring to someone not used to them. Something like walking into a room with the TV and radio on full blast, with the hoover and washing machine running for added ambiance. But maybe plenty of contact with others of, well, similar persuasions could blunt the worse of the conflicting sensations. River doesn’t seem any the worse for it.

Whether or not Grace accepts the help up, Alexander does walk over to where the ball has rolled to a stop and picks it up. As with Kiara, there’s still some amount of tension in his movements. But he’s content to take part. And it is kinda fun. So he lines up and takes his own blind shot.

Dice: 6 d10 TN8 (1, 4, 7, 7, 7, 7) ( botch x 1 )

River Vasquez

GRace goes toppling and River pulls her hands to her mouth, gasps like she's surprised and starts on over to try and offer the lady a hand, or at least to figure out whether or not Grace wants a hand up.

"Oh? We just moved here, my room mate Farrah and I still don't have an apartment settled out," she smiles, laughs a little and continues on. Her voice doesn't carry very well. Soft-spoken, perhaps, is the correct word, "we came from San Diego by way of Las Vegas? Bested some one-armed bandits and played a little blackjack before we got here. It was nice."

Fond, that's the way that one could describe the way that she says Farrah's name, like she likes saying it. Like having a friend here is nice because she's aware of how incredibly alone she is at this particular juncture. She then watches as another person takes their shot in quiet schoolyard horror.

"This shot is cursed," she proclaims!

Alexander

...and Alex doesn't realise that one of his shoelaces has come undone, lurking menacingly for just the right moment to pounce. Which, rather poetically, is just as he attempts the same shot that Grace had. Alexander steps on the lace as he takes the shot, causing him to fall forwards. Ball forgotten in his sudden need to stop the fall, it goes bouncing off somewhere to the side. Alex isn't quite as armoured as Grace, so he does finish landing in in a heap with skinned hands and knees. Rolling onto his back he starts laughing, making another whinny sound.

Grace

Alex whinnies at her, and Grace squints at him in mock fury. Then, she takes his hand to get back up again. "Thanks."

Then, Kiara nails it (or at least doesn't fall down) and Alex? Ohh, that elicits a laugh, and a whinny at him in payback.

"Yeah, it's cursed, and it's your turn," Grace says, raising a challenge to River. "Man, winter is going to be murder on you. Was for me. Snow, pleh."

Grace

[I have to sleep, guys!]

Farrah Esmail

She could call River's phone or just use her quiet powers of observation and god knows what else to locate her. That would not embarrass River though. And since embarrassing River is synonymous with fun before anyone present sees or even really senses the newcomer's resonance they hear her voice from across the court:

"VASQUEZ, YOU BIG SLUT!"

The voice belongs to a five-foot-five young woman in a sundress and cowboy boots. She is using her hands as a megaphone.

River Vasquez

No worries!

River Vasquez

[Taking the shot! +1 diff because Farrah is Farrah]

Dice: 5 d10 TN9 (1, 1, 3, 5, 6) ( botch x 2 )

Kiara Woolfe

[Grace saw the botch and was like, nope. Also the dice are MEAN tonight.]

Farrah Esmail

[HAAAAAHAHAHAHA]

River Vasquez

She was lining up to take the shot, basketball in hand and, thus far, the only person to make it was Kiara. She looked at Grace for a moment, bounced the ball a couple times, "I do not think I like snow. I've seen snow. Mmn-mmmn."

She's getting ready to take her shot, closes her eyes and begins the walk up process, starts on with what she thought she'd seen Kiara do, since Kiara was the only one who actually succeeded at not punching herself in the face while she was doing this whole basketball thing, and soon enough she makes for the shot, her pants come rolled down and the tiny Mistress of Entropy channels Murphy's law.

She trips on her pants, yes, which makes her continue forward, trip, hears the back seam rip and she falls, flat on her face and just in time and in just an inconvenient enough way that she rips a pretty substantial hole in her yogapants. They're going to be useless for awhile, that or she's going to have to figure out how to use her oversized tee shirt as a dress.

River just lays there. Lifts an arm and flips Farrah off in the distance.

Kiara Woolfe

[Doing a thing. +1 Diff, just because stuff is happening.]

Dice: 6 d10 TN7 (4, 5, 5, 7, 8, 10) ( success x 3 )

Alexander

“You guys make snow sound like it’s lethal to touch. Seriously, it’s not like you’re wicked witches of the west.” Alexander takes a minute to tie the malevolent shoelace before checking the other one. Once he’s happy that they’re not plotting any further mischief, he pushes up from the ground. He moves towards his rucksack, grabbing it and heading towards a bench at the side of the court. Buried somewhere inside is a small first aid kit, with some sort of antiseptic cream. Wincing and with an occasional inhale of breath, he dabs it on the newly acquired gravel rash.

[And will fade into the background, because Noel isn’t the only one needing sleep. Thanks for the scene!]